“Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.” FilmSubjectsDirectorsAddictionImitationNoirFilm Noir Book:Hooked Source: Hooked
“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.” IfsPoliticalActorsNamesBitsNiceMinutesSubjectsChangedReadyArmsColdComfortDirectorsSticksCastsDetailsNewspapersNosesExtrasItalianInquiryRequestRefinedMarcosArchivesPolitical Life Author:Indro Montanelli
“My philosophy is that to be a director you cannot be subject to anyone, even the head of the studio. I threatened to quit each time I didn't get my way, but no one ever let me walk out.” WayPhilosophyWalksSubjectsDirectorsLet MeStudiosQuittingMy WayThreatened Author:Dorothy Arzner
“I thought it was a huge conflict of interest to be the director and the subject - it's very sketchy territory to be in. I've seen what's happened to other directors who have done that.” DoneInterestHappenedSubjectsHugeDirectorsConflictTerritoryConflict Of InterestSketchy Author:Aaron Rose
“You have total control of it, and when you're an actor, you're subject to production design and costumes and directors and studio choices and producer choices, but when you're writing it, you're creating your own little world in your head, peopled with your little characters. No one is in there monkeying with it, at least not at first - though they will. With this and the other projects I'm working on, it'll have to be given away, and it'll have to be someone else's property.” WorldWritingFirstsLittlesCharacterChoicesActorsGivenSubjectsDesignDirectorsProjectsCreatingPropertyProductionsStudiosProducersCostumesProduction Design Author:Rainn Wilson
“Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.” IfsThinkingFeelsFirstsWellsLongMatterFilmCertainWalksRoomsSubjectsChangedDirectorsSkillsScriptsGenreSubject MatterGenre IsFinanciers Author:Gurinder Chadha
“My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.” LooksIdeasCharacterLightJobsFilmVisionSubjectsStageFiguresDesignTelevisionColorDirectorsPhotographyResearchMy FavoriteMediumsCostumesComponentsVisionariesArtistryPalette Author:Ruth E. Carter
“I think [director] Malcolm Lee is a real master at being able to make you laugh while bringing serious subject-matter, so the movie doesn't hinge on silliness, but on real life.” ThinkingRealMatterAbleLaughingSubjectsSeriousMastersDirectorsReal LifeSubject MatterHingesMake You LaughSillinessSerious Subjects Author:Ice Cube