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Events Quotes

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Events Quotes

“Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.”

“The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow.”

“It is certain that success naturally confirms in us a favourable opinion of our own abilities. Scarce any man is willing to allot to accident, friendship, and a thousand causes, which concur in every event without human contrivance or interposition, the part which they may justly claim in his advancement. We rate ourselves by our fortune rather than our virtues, and exorbitant claims are quickly produced by imaginary merit.”

“There are many who say to the Lord, "I give myself wholly to Thee, without any reserve," but there are few who embrace the practice of this abandonment, which consists in receiving with a certain indifference every sort of event, as it happens in conformity with Divine Providence, as well afflictions as consolations, contempt and reproaches as honor and glory.”

“I mean, so if I've talked to whites in City of Refuge, sometimes they'll wonder, "Why do we do things a certain way, and why do we make a big deal out of events?" And what's happening is they're falling back on their understanding of the way that church should work. It's not always working exactly like that, and they feel frustration or confusion. Sometimes people leave. That's certainly common in mixed churches.”

“There is a sequence of events in our lives and so there's a temporal aspect to our experience that brings by itself, sense into the story. In other words, you were not walking before you were born and you were not doing X and Y before you did something else first. So there's a sequencing of events that imposes a certain structure to the story.”

“I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.”