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“There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.”

“Rather than accepting the drifting separation of the generations, we might begin to define a more complex and interesting set of life stages and parenting passages, each emphasizing the connections to the generations ahead and behind. As I grow older, for example, I might first see my role as a parent in need of older, mentoring parents, and then become a mentoring parent myself. When I become a grandparent, I might expect to seek out older mentoring grandparents, and then later become a mentoring grandparent.”

“America comes with both rights and responsibilities. You have, for example, the right to free speech, but you have the responsibility to not yell 'fire' in a crowded theater. If you don't live up to that responsibility, you face certain consequences. It's a simple but effective formula. Unfortunately, tenured professors are completely insulated from it. They can scream fire in their classrooms all they want - and then hide behind their tenure if anyone questions them on it.”

“Not surprisingly, as the pioneer theme is presented, each goes back in memory to his or her own family line. There are usually examples to identify and which fit the definition of a pioneer: "one who goes before, showing others the way to follow." Some, if not all, made great sacrifices to leave behind comfort and ease and respond to that clarion call of their newly found faith.”

“Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.”

“I try to think as little as possible, at least while working. I look at some of my early stories and can see the machination behind them, like a gear slowly moving. For example, sticking a dead father into the story to explain a character's sadness and bad decisions, or trying to impress myself with my own cleverness.”