“Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.” PersonsBookSometimesIndividualVoicePowerfulNumbersCasesStudyOne ThingExampleNarrativeNonfictionAcademicParagraphAnecdotesClinicalsReally PowerfulCase Studies Author:Dave Eggers
“Every once in a while a messy character who manifests a REAL body emerges, for instance, Lisbeth Salander - and certainly commercial genre fiction is full of examples of real bodied sexual encounters or violence encounters - but for the most part, and particularly if you are a woman or minority author, your characters' bodies have to fit a kind of norm inside a narrow set of narrative pre-ordained and sanctioned scripts.” IfsKindRealCharacterBodyFictionViolenceExampleFitScriptsInstanceNarrativeGenreEncountersMinoritiesNormMessyLisbeth Salander Author:Lidia Yuknavitch
“Khairani Barokka is a writer, spoken-word poet, visual artist and performer whose work has a strong vein of activism, particularly around disability, but also how this intersects with, for example, issues of gender - she's campaigned for reproductive rights in her native Indonesian, and is currently studying for a PhD in disability and visual cultures at Goldsmiths. She's written a feminist, environmentalist, anti-colonialist narrative poem, with tactile artwork and a Braille translation. How could I not publish that?” ArtistCultureStrongStudyIssuesRightsWrittenExamplePoetFeministGenderActivismNarrativeVisualsNativePerformersDisabilityVeinsPublishTranslationsArtworkEnvironmentalistSpoken WordVisual ArtPhdsTactileReproductive RightsVisual ArtistBraille Author:Deborah Smith