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Fall Quotes

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Fall Quotes

“The brand is lying about something, or at least misrepresenting it. When I read a bottle of shampoo or moisturizer or other beauty product, I always perceive a dark subtext. The words haunt me. It comes across as humorous to the reader/audience, but in fact the words really do make me a little bit queasy. Nothing is as easy or natural as consumer brands want us to think - no problem is as resolvable. Your hair will fall out, eventually. Yet we do have these brands, and we line our shelves with them. There's an inherent irony.”

“When industry people see something different they don't know what to do with it, so filmmakers who make films about women, they kind of fall through the cracks. If a woman filmmaker makes film about war, like [Kathryn] Bigelow, they say "Okay, this is a war film, it has ninety percent men in it, we know what to do with it." But then she still gets attacked for not doing it properly. [...] But even though it bothers me I don't want to dwell on the sex and gender thing.”

“I love mysteries. To fall into a mystery and its danger ... everything becomes so intense in those moments. When most mysteries are solved, I feel tremendously let down. So I want things to feel solved up to a point, but there's got to be a certain percentage left over to keep the dream going. It's like at the end of Chinatown: The guy says, 'Forget it, Jake, it's Chinatown.' You understand it, but you don't understand it, and it keeps that mystery alive. That's the most beautiful thing.”

“Writers will see your work and want to try you in different things but I think you have to stay true to your vehicle. We all have a vehicle. Whether it's a thug, or a school child or the babyface or the sex siren or the video vin, whatever it is ride that until the wheels fall off and eventually, if you build your foundation then you can branch off.”

“I realized that if I went snowboarding, you can't think of anything else when you're snowboarding. You can't hesitate or think about anything other than not falling off and breaking your neck. If you want a holiday where you're not gonna think about work and you're not gonna think about anything, snowboarding is the best way to do it. Or skiing, I guess. I don't ski, so I don't know.”

“I was a gangster when I was young. I had a Robin Hood mentality and tended to always want to support the weak against the strong, but sometimes it was cohesive and I really needed to fall in love with the power of education to find the right venue to express my rage. I still have a righteous indignation at injustice, no matter what form it takes.”

“Tears are tears, but I don't want to draw tears that aren't proactive. The feeling "Ahh, it's so sad" when people die and it's all over, it doesn't feel quite right. Even though a lot of people died in Gintama. Even if people die, it's not the end. I don't want to draw tears that fall and stay at the same place, but droplets that sprinkle along the road to one's future.”

“Never, never do I set to work on a canvas in the state it comes in from the shop. I provoke accidents - a form, a splotch of color. Any accident is good enough. I let the matiere decide. Then I prepare a ground by, for example, wiping my brushes on the canvas. Letting fall some drops of turpentine on it would do just as well. If I want to make a drawing I crumple the sheet of paper or I wet it; the flowing water traces a line and this line may suggest what is to come next.”

“The Forgotten Man... works, he votes, generally he prays-but he always pays-yes, above all, he pays. He does not want an office; his name never gets into the newspaper except when he gets married or dies. He keeps production going on.... He does not frequent the grocery or talk politics at the tavern. Consequently, he is forgotten.... All the burdens fall on him, or on her, for it is time to remember that the Forgotten Man is not seldom a woman.”

“We have seen some of the greatest athletes fall because they have tried to take shortcuts. I'm not going to call any names but we talk about guys that was like at the top of their game that people just idolized. They looked in awe and all of a sudden you see them just come tumbling down because they want to take shortcuts. I think it's more rewarding when you do it the old fashioned way.”

“I don't care how much people understand what it is that I'm doing, except if they're players in my ensemble or other ensembles. I just want people to be moved by the music. If you're not moved by the music, then everything else falls away. You're not interested in the text, you're not interested in how it was done, and you're not interested in interviewing the composer and all the rest of it.”

“How old the world is! I walk between two eternities.... What is my fleeting existence in comparison with that decaying rock, that valley digging its channel ever deeper, that forest that is tottering and those great masses above my head about to fall? I see the marble of tombs crumbling into dust; and yet I don't want to die!”

“Our ability to fall in love requires enough comfort with our masculinity to join it with someone's femininity and feel enhanced. .. . If our mother made us feel secure and proud in our masculinity, then we want to find that again in our wife. If we are really comfortable with our mother, we can even marry a woman who is a friend rather than an adversary, and form a true partnership.”

“Missionaries, whether of philosophy or religion, rarely make rapid way, unless their preachings fall in with the prepossessions ofthe multitude of shallow thinkers, or can be made to serve as a stalking-horse for the promotion of the practical aims of the still larger multitude, who do not profess to think much, but are quite certain they want a great deal.”

“When I'm taking my last breath, I want to look at how I used up the best of myself. How much did I sweat, push, pull, rip, fall, hit, crash, explode?...My dream is to be so well-used that in my last-half second, I just burst into dust.”

“Anyone who is kind to man knows the fragmentariness of most men, and wants to arrange a society of power in which men fall naturally into a collective wholeness, since they cannot have an individual wholeness. In this collective wholeness they will be fulfilled. But if they make efforts at individual fulfilment, they must fail for they are by nature fragmentary.”

“If you're not filled back up quickly, you might collapse like a birthday balloon". I guess that's why acting is so addictive. For the director, that addiction will come from the love and trust he gets from the "orchestra", him being the conductor. That's why many directors fall in love with their leading lady/man: having someone say "how do you want me to be" is incredible.”

“I worked as an actor for a few years before anything happened, so I'm used to going up for auditions, and then not getting the role. But sometimes I don't read the book of the film, in case I just totally fall in love with it, and then it just becomes an obsession and you want to do it so much because you've completely fallen in love with the story and the characters. And then, if the part doesn't go your way, it's heartbreaking. So, there's a certain amount of distance you have to keep before you can throw yourself in 100%.”

“Because I take very seriously the idea that I can make an impact in the world, I hold back my voice so I can make more of an impact when I do use it. A cause like One Billion Rising is something I want to scream about, and I want you to take that scream seriously because I don't fall out of nightclubs. I don't have photographers capture me spending untold amounts on a handbag.”