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Feet Quotes

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Feet Quotes

“On the plane, an eight-year-old with an excess of testosterone keeps running across my feet. Finally I grab him by his T-shirt and say, very sweetly, 'Listen, darling, if you don't stop trampling me I'm going to make you sit on my lap while I tell you my entire life story. Including a lot of details about drug rehab and my divorce.' He goes back to his seat.”

“Have you ever been up in your plane at night, alone, somewhere, 20,000 feet above the ocean?... Did you ever hear music up there?... It's the music a man's spirit sings to his heart, when the earth's far away and there isn't any more fear. It's the high, fine, beautiful sound of an earth-bound creature who grew wings and flew up high and looked straight into the face of the future. And caught, just for an instant, the unbelievable vision of a free man in a free world.”

“Leveling off at 42,000 feet, I had thirty percent of my fuel, so I turned on rocket chamber three and immediately reached .96 Mach. I noticed that the faster I got, the smoother the ride. Suddenly the Mach needle began to fluctuate. It went up to .965 Mach - then tipped right off the scale ... We were flying supersonic. And it was a smooth as a baby's bottom; Grandma could be sitting up there sipping lemonade.”

“Turtles hate heights. They don't even like being a few feet off the ground. It's the main reason they have resisted evolution for so long-fear of heights. Turtle thinking goes thus: Sure, first our scales turn into feathers and the next thing you know we're flying and chirping and perching on trees. We've seen it happen. Thanks, but we're staying right here in the mud where we belong. You're not going to see us flying full-tilt boogie into a sliding glass door.”

“One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories.”