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Fiction Quotes

“There are two races of people -- men and women -- no matter what women's libbers would have you pretend. The male is motivated by toys and science because men are born with no purpose in the universe except to procreate. There is lots of time to kill beyond that. They've got to find work. Men have no inherent center to themselves beyond procreating. Women, however, are born with a center. They can create the universe, mother it, teach it, nurture it. Men read science fiction to build the future. Women don't need to read it. They are the future.”

“Science fiction is the branch of literature that deals with the effects of change on people in the real world as it can be projected into the past, the future, or to distant places. It often concerns itself with scientific or technological change, and it usually involves matters whose importance is greater than the individual or the community; often civilization or the race itself is in danger.”

“At some point, every science fiction and fantasy story must challenge the reader's experience and learning. That's much of the reason why the genre is so open to experimentation and innovation that other genres reject--strangeness is our bread and butter. Spread it thick or slice it thin, it's still our staff of life.”

“The computer has evolved into a partner, a tool, and an environment--not just in science fiction, but in the public consciousness as well. Computers are no longer malevolent iron brains that manufacture tyrannical and oppressive answers; they are not a way to think, they are a place from which to think. The computer is an environment in which answers can be sought, created, manipulated and developed.”

“Science fiction, because it ventures into no man's lands, tends to meet some of the requirements posed by Jung in his explorations of archetypes, myth structures and self-understanding. It may be that the primary attraction of science fiction is that it helps us understand what it means to be human.”

“Nearly all the writing of our time is likely to disappear in a hundred years. Certainly most readers - and nearly all critics - feel that [Kurt] Vonnegut started to repeat himself, to grow increasingly self-indulgent and meandering, and to sometimes just blather in his later work. But his books up to "Slaughterhouse-Five" do possess a distinctiveness that will insure some kind of permanence, if only in the history of the 1960s and of science fiction.”

“My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.”

“We thought it was only in science fiction that things created by humans could actually take over what is inherently our human heritage. But Thom Hartmann shows how we've already let that happen on a frightening scale - not in Frankenstein's monsters or Kubrick's creeping computer Hal - but in the corporations that present their friendly 'faces' to us as if we have nothing to fear from this ultimate usurpation of our rights as real humans.”

“As you see, I bear some resentment and some scars from the years of anti-genre bigotry. My own fiction, which moves freely around among realism, magical realism, science fiction, fantasy of various kinds, historical fiction, young adult fiction, parable, and other subgenres, to the point where much of it is ungenrifiable, all got shoved into the Sci Fi wastebasket or labeled as kiddilit - subliterature.”

“There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader - and the writer.”

“Science fiction that's just about people wandering around in space ships shooting each other with ray guns is very dull. I like it when it enables you to do fairly radical reinterpretations of human experience, just to show all the different interpretations that can be put on apparently fairly simple and commonplace events. That I find fun.”

“A snappy label and a manifesto would have been two of the very last things on my own career want list. That label enabled mainstream science fiction to safely assimilate our dissident influence, such as it was. Cyberpunk could then be embraced and given prizes and patted on the head, and genre science fiction could continue unchanged.”

“I think the least important thing about science fiction for me is its predictive capacity. Its record for being accurately predictive is really, really poor! If you look at the whole history of science fiction, what people have said is going to happen, what writers have said is going to happen, and what actually happened - it's terrible.”

“We shall not read it for its sociological insights, which are non-existent, nor as science fiction, because it has a general air of implausibility; but there is one high poetic fancy in the New Atlantis that stays in the mind after all its fancies and inventions have been forgotten. In the New Atlantis, an island kingdom lying in very distant seas, the only commodity of external trade is light: Bacon's own special light, the light of understanding.”

“Many of the early greats of sf — Hugo Gernsback (publisher of Amazing Stories) in particular — saw themselves as educators. The didactic thrust of science fiction got the genre initially pegged as children's fare. It was seen, at its best, as an extension of school and, at its worst, as teenage wish fulfillment.”

“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.”

“I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.”

“Most of what I do is science fiction. Some of the things I do are fantasy. I don't like the labels, they're marketing tools, and I certainly don't worry about them when I'm writing. They are also inhibiting factors; you wind up not getting read by certain people, or not getting sold to certain people because they think they know what you write. You say science fiction and everybody thinks Star Wars or Star Trek.”

“It's interesting how many science fiction writers get going when they are very young. I was on a program with Greg Bear and he mentioned that he had gotten started writing when he was eight. And I began writing when I was 10. I think we're influenced by the stuff, we find it and we love it and we're influenced by it....I know I collected my first rejection slip when I was 13, and I went on collecting them for a long time after that.”

“Physics has entered a remarkable era. Ideas that were once the realm of science fiction are now entering our theoretical — and maybe even experimental — grasp. Brand-new theoretical discoveries about extra dimensions have irreversibly changed how particle physicists, astrophysicists, and cosmologists now think about the world. The sheer number and pace of discoveries tells us that we've most likely only scratched the surface of the wondrous possibilities that lie in store. Ideas have taken on a life of their own.”

“I suppose that literature as it is won't die, science fiction included. But games are becoming an extremely important part of the science fiction world, including games that are adapted from books (or vice versa: books that are adapted from games). It's wonderful to have the opportunity to play and see your favorite characters on the screen, but the opportunity to read a book does not become less attractive.”

“I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.”

“Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.”

“Although The Terminator is arguably the more visionary of the first two films, [Terminator 2] is the more visually and viscerally satisfying. It's an exhausting experience and, even 18 years after its release (as I write this review), few films have matched it within the science fiction genre for sheer white-knuckle exhilaration.”

“Seventeen years after its intial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi] were able to match the narrative scope of Empire, which today remains one of the finest and most rousing science fiction tales ever committed to the screen.”