“I've been in situations where I've been sent scripts to direct, and I always end up becoming very controlling and wanting to rewrite it to fit what I think it should say, and it just usually doesn't work.” ThinkingShouldEndsSituationBecomingFitDirectScripts Author:Frank Whaley
“With any mannerisms or dialogue, you have to be careful you're not just serving yourself. What happens with improving is a lot of times, if you're not in the framework of the script, you're just making everything easier so it fits you. It's much more interesting and challenging to go to it, rather than it coming to you.” IfsHappensChallengesInterestingFitEasierScriptsCarefulDialogueServingBe CarefulImprovingFrameworkMannerisms Author:Ray Liotta
“Everyday life became infused with urgency as I tried to speak and act in ways that fit the holy script and glorified God in new contexts.” WaySpeakFitHolyEverydayScriptsEveryday LifeUrgency Author:Kevin Vanhoozer
“It's usually very, very hard for me to pick up a script that was written and try and see myself as a part of that, especially when you're used to performing all your own material. It's OK with drama, I like being handed great material but I think with comedy it's far more personal and probably a lot harder for me to find a fit.” ThinkingTryingHardUsedComedyWrittenMaterialsFitDramaPicksHarderScriptsPerforming Author:Eric Bana
“Particularly, the actors, to have analyzed the script in great detail from the point of view of their specific character. So that they have a handle on exactly where the character is in the chronology of things. In that sense the actors become your best check on the logic of the piece, and the way in which it all fits together. They become essential collaborators. The main thing is you have to work with very smart actors.” WayCharacterTogetherActorsViewsPiecesFitEssentialsSmartLogicScriptsDetailsPoint Of ViewHandleChecksVery SmartCollaboratorsChronology Author:Christopher Nolan
“There's a way of thinking that comes with being an editor that is incredibly useful on the set. It's not just a vocabulary thing or a right-to-left thing or script supervisor stuff. It's a way of thinking about the film and the shots and the way they fit together, what you need and what you don't need, and what you can get away with if you have to.” IfsThinkingWayNeedsTogetherFilmLeftStuffFitShotsScriptsGet AwayEditorsVocabularyWay Of ThinkingSupervisors Author:Joe Dante
“Michael Bay and his team are experts in exciting tentpole-type film and television, and the combination of their film experience plus the great television writers that have come on will be really successful in bringing us something really unique. We are looking to put on these big canvas shows, and Black Sails is going to fit into that. The scripts have been terrific. Everything that we are trying to do is incredibly ambitious, and this is certainly in that category.” TryingHas BeensShowsBigsFilmBlackSuccessfulTeamTelevisionTypeFitUniqueExcitingScriptsCombinationExpertsPlusCategoriesAmbitiousCanvasSailTerrificFilm And Television Author:Chris Albrecht
“When preparing for the fight choreography, the first thing I have to think about is what fits in the script. Whatever goes along with the story line and the character's personality; they have to be matched.” ThinkingFirstsCharacterStoriesFightingLinesPersonalityFitScriptsPreparingChoreographyMatched Author:Yuen Woo-ping
“Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.” TryingLooksStoriesBigsOpportunityWrittenFiguresFitToughAdvantageStructureScriptsCastsEightI RealizedShootingCastingRevisionGood Opportunity Author:Remi Aubuchon
“Every once in a while a messy character who manifests a REAL body emerges, for instance, Lisbeth Salander - and certainly commercial genre fiction is full of examples of real bodied sexual encounters or violence encounters - but for the most part, and particularly if you are a woman or minority author, your characters' bodies have to fit a kind of norm inside a narrow set of narrative pre-ordained and sanctioned scripts.” IfsKindRealCharacterBodyFictionViolenceExampleFitScriptsInstanceNarrativeGenreEncountersMinoritiesNormMessyLisbeth Salander Author:Lidia Yuknavitch
“I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.” ThinkingWantWritingTryingFirstsCharacterFilmMovingDesignFitScriptsToneSplitsWireStandpointJasonChoreographyBourneBackflips Author:Chad Stahelski