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“There can be no richer man or woman than the individual who has found his or her labor of love. Personal fulfillment through the virtue of work is the highest form of desire. Work is the conduit between the supply and the demand of all human needs, the forerunner of human progress, and the medium by which the imagination is given the wings of action. A labor of love is exalted because it provides joy and self-expression to those who perform it.”

“All sin has its being and origin in the fact that man wants to be his own judge. And in wanting to be that, and thinking and acting accordingly, he and his whole world is in conflict with God. It is an unreconciled world, and therefore a suffering world, a world given up to destruction.”

“Blessed be the inventor of photography! I set him above even the inventor of chloroform! It has given more positive pleasure to poor suffering humanity than anything else that has ''cast up'' in my time or is like to -- this art by which even the ''poor'' can possess themselves of tolerable likenesses of their absent dear ones. And mustn't it be acting favorably on the morality of the country?”

“It's not the possibility of Stalinism in the U.S. that's worrying me, it's the fact that the Stalinist C.P. seems doomed to fail and to bring down with it all the humanitarian tendencies I personally believe in--all the while acting as a mould on which its obverse the fascist mentality is made--and this recent massacre is certainly a sign of Stalinism's weakness not of its strength. None of that has anything to do with Marx's work--but it certainly does influence one's attitude towards a given political party.”

“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”

“An actor must communicate his author's given message--comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”