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“The man who has struggled bravely with the passions of the body, has fought ably against unclean spirits, and has expelled from his soul the conceptual images they provoke, should pray for a pure heart to be given him and for a spirit of integrity to be renewed within him (cf. Ps. 51:10). In other words, he should pray that by grace he may be completely emptied of evil thoughts and filled with divine thoughts, so that he may become a spiritual world of God, splendid and vast, wrought from moral, natural and theological forms of contemplation.”

“There can be no richer man or woman than the individual who has found his or her labor of love. Personal fulfillment through the virtue of work is the highest form of desire. Work is the conduit between the supply and the demand of all human needs, the forerunner of human progress, and the medium by which the imagination is given the wings of action. A labor of love is exalted because it provides joy and self-expression to those who perform it.”

“If intellection and knowledge were mere passion from without, or the bare reception of extraneous and adventitious forms, then no reason could be given at all why a mirror or looking-glass should not understand.”

“By the grey woods, by the swamp, where the toad and newt encamp, by the dismal tarns and pools, where dwell the Gouls. By each spot the most unholy, by each nook most melancholy, there the traveller meets, aghast, sheeted memories of the Past. Shrouded forms that start and sigh, as they pass the wanderer by. White-robed forms of friends long given; In agony, to the Earth - and Heaven.”

“Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.”

“No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris . Beginning with the market - where, for lack of money, I bought only a piece of a long cucumber - the workman in his blue overall, the most ardent followers of Cubism , everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.”

“In some mysterious way, once one has gained an insight into human nature, that insight grows from day to day, and he to whom it has given to experience vicariously even one single form of earthly suffering acquires, by reason of this tragic lesson, an understanding of all its forms, even those most foreign to him, and apparently abnormal.”

“King is a title which translated into several languages, signifies a magistrate with as many different degrees of power as there are kingdoms in the world, and he can have no power but what is given him by law; yea, even the supreme or legislative power is bound by the rules of equity, to govern by laws enacted, and published in due form; for what is not legal is arbitrary.”

“The concept of guilt is found most powerfully developed even in the most primitive communal forms which we know... the man is guilty who violates one of the original laws which dominate the society and which are mostly derived from a divine founder; the boy who is accepted into the tribal community and learns its laws, which bind him thenceforth, learns to promise; this promise is often given under the sign of death, which is symbolically carried out on the boy, with a symbolical rebirth.”

“In the form of the oeuvre, the actual circumstances are placed in another dimension where the given reality shows itself as that which it is. Thus it tells the truth about itself; its language ceases to be that of deception, ignorance, and submission. Fiction calls the facts by their name and their reign collapses; fiction subverts everyday experience and shows it to be mutilated and false.”

“In our own country, we have seen America pay a terrible price for any form of discrimination, and we have seen us grow stronger as we have steadily let more and more of our hatreds and our fears go. As we have given more and more of our people the chance to live their dreams. That is why the flame of our Statue of Liberty, like the Olympic flame carried all across America by thousands of citizen heroes will always burn brighter than the flames that burn our churches, our synagogues, our mosques.”

“It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language. Any concept, whether or not it forms part of the system of grammatical categories, can be conveyed in any language. If a notion is lacking in a given series, it implies a different configuration and not a lack of expressive power.”

“Avant garde" has become a ubiquitous label, eclectically applied to any type of art that is anti-traditional in form. At its simplest, the term is sometimes taken to describe what is new at any given time: the leading edge of artistic experiment, which is continually outdated by the next step forward.”

“Every age manifests itself by some external evidence. In a period such as ours when only a comparatively few individuals seem to be given to religion, some form other than the Gothic cathedral must be found. Industry concerns the greatest numbers-it may be true, as has been said, that our factories are our substitute for religious expression.”

“Imagination, where it is truly creative, is a faculty, and not a quality; it looks before and after, it gives the form that makes all the parts work together harmoniously toward a given end, its seat is in the higher reason, and it is efficient only as a servant of the will. Imagination, as it is too often misunderstood, is mere fantasy, the image-making power, common to all who have the gift of dreams.”

“Taste, if it mean anything but a paltry connoisseurship, must mean a general susceptibility to truth and nobleness, a sense to discern, and a heart to love and reverence all beauty, order, goodness, wheresoever, or in whatsoever forms and accompaniments they are to be seen. This surely implies, as its chief condition, not any given external rank or situation, but a finely-gifted mind, purified into harmony with itself, into keenness and justness of vision; above all, kindled into love and generous admiration.”

“The first time I received an award, I was very surprised. I did not know whether to accept it or not. But I came to the conclusion that I should accept awards in the name of the poorest poor, as a form of homage to them. I think that basically, when awards are given to me, the existence of the poor in the world is being recognized.”

“A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given momentin the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.”

“That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.”

“He who wishes to maintain that the past of mankind no longer has any absolute value in lifemust also be ready to deny his ownlife until the present moment, indeed in advance until the last moment, as worthless. He who realizes that culture is the giving of form will also see that the highest forms that it is given to the human spirit to recognize have always been, psychologically considered, such evasions from the present. Considerations such as these do not at all square with the direction of America's mind.”

“There is plenty of room left for exact experiment in art, and the gate has been opened for some time. What had been accomplished in music by the end of the eighteenth century has only begun in the fine arts. Mathematics and physics have given us a clue in the form of rules to be strictly observed or departed from, as the case may be. Here salutary discipline is come to grips first of all with the function of forms, and not with form as the final result … in this way we learn how to look beyond the surface and get to the root of things.”

“An actor must communicate his author's given message--comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”

“It is given to few to add the store of knowledge, to strike new springs of thought, or to shape new forms of beauty. But so sure as it is that men live not by bread, but by ideas, so sure is it that the future of the world lies in the hands of those who are able to carry the interpretation of nature a step further than their predecessors.”

“What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.”

“genius is original, unique; and in whatever form it may develop itself is the greatest gift that can be given to man, the strongest known link between the material life we have and the spiritual life that we can only guess at. Every great poet, painter, or musician - every inventor or man of science, every fine actor or orator, comes to us as the exponent of something diviner than we know. We cannot understand it, but we feel it, and acknowledge it.”

“But colonialism in its harshest forms is not only the exploitation of new nations by old, of dark skins by light, or the subjugation of the poor by the rich. My Nation was once a colony, and we know what colonialism means; the exploitation and subjugation of the weak by the powerful, of the many by the few, of the governed who have given no consent to be governed, whatever their continent, their class, their color.”