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Growing Up Quotes

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Growing Up Quotes

“In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see.”

“I was definitely scared of fashion growing up just because I didn't want people to think I was gay. But now that I'm out, I feel like it's such a personal journey for me that I'm going on every single day where I feel more and more confident and comfortable to wear the clothes that I want to wear, and to have the interest that I have, and to paint my nails if I want to.”

“As soon as I was born, my mom said I was humming 'When the Saints Go Marching In,' or something like that, you know? It's in the family. And in that neighborhood [Treme, in New Orleans], I think everybody in the neighborhood has some type of musical influence, even if they don't play instruments or anything. It's the way they talk to you, the way they say your name - it's all musical.”

“There's a song called 'The Lights of My Hometown' that goes back to me growing up a regular kid. I mean, I lived in a town that I loved, but was too small for the dreams I was dreaming. You leave thinking the world has a lot more to offer than your hometown, only to realize years down the road that no matter where you grow up, you will never be able to recreate the innocence and feeling of 'home' anywhere else in the world. No matter who you are, or where that little town is, that's something we all have in common.”

“Well, growing up in LA, things are kind of thrust in front of you. You're almost forced to grow up pretty fast, with experiences and stuff. Going to that school there were a lot of rich girls, a lot of partying, a lot of wild things. You're put in this environment where you're forced to wear a uniform. It was all girls, so you rebel naturally, I think. I don't know, I just kind of got inspiration from every day living and going to school.”

“The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.”

“I guess...on one hand, I spent way too much time watching science fiction and reading science fiction when I was growing up. But a part of it is I also never felt much of a connection to the world in which I lived while I was growing up, and so, oddly enough, I think I felt a lot more connected to the worlds that I read about in science fiction.”

“We think we have to prove our allegiance to God by being poor. Many years ago, my own psychic development teacher taught me that to be on a spiritual path meant that you needed to be poor, because that was proving your allegiance to God. So growing up with that kind of teaching from her was a real struggle for me, also.”

“In my country, families are raised as though they are one. Although I am from the Dinka tribe, my parents didn't raise us as the Dinka tribe. They raised us as the Wek family, in the way they believed their children should grow up. So when you leave, the first thing you think is the ones you left behind. It's natural to help them in any way you can. I found a way to support myself rather than asking my Mum to give me money. I would work before school and send money back to pay for their rent and food.”

“I think that people should find a niche that will work. I have friends growing up who sat around playing video games for hours after school, and now they work for the video game industry. People need to find a niche so it doesn't feel like a job anymore. When I'm working on the "Lights Out" brand, it's fun. It's not work.”

“Growing up in rural Utah had a lot of benefits, but in an environment that prized conformity, fit wasn't one of them. I ended up in my senior year with a 0.9 GPA, which I think you actually have to work pretty hard to get. In the exact same month they kicked me out of school, my girlfriend - still my wife today - told me she was pregnant. So, it was an interesting start to life: working 10 or 12 minimum-wage jobs; getting bored really quickly and quitting; having my in-laws - rightly - in full panic mode and thinking I had some kind of character flaw.”

“I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."”

“I think I would have been a lot more miserable and discovered a lot less of things I liked if I hadn't had LiveJournal in high school. I think it's interesting how blogging seems to be shaping a new generation of writers. I feel like growing up with the Internet/blogging/other structures seems to be a reason for the similarities people see in Tao Lin's writing and other young writers, rather than direct.”

“After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.”

“I think The Magicians takes these conventional ideas from this Christian literature of good vs. evil and it sort of shakes it up and asks a deeper, darker question about the nature of not just humanity in the face of good vs. evil, but the challenges of everyday life. And I think there's something incredibly timely about that and incredibly relatable to anyone who's growing up. Because we're all growing up. We're all constantly evolving.”

“I think Jennifer Lawrence is that inside of herself. As long as I've known her she's been both 10 years old and 50 years old. And we've watched her grow up since she walked on "Silver Linings Playbook" as a 20-year-old and had not been - "Hunger Games" had not come out. And I've watched her have to take on and deal with a great deal of attention and resources and people.”

“It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.”