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“A good two years after Hurricane Katrina I remember feeling so devastated and so ignorant that there was so much damage still left. I felt like here I was an American and this is an American city and the government hasn't done enough and people haven't given back enough. Everyone forgot and the city was lying in waste.”

“In the past, heartland whites with some kind of dream or desire left their towns for cities to become citified. They wanted to get away from religion, from their families, they wanted to come out, make art, have sex, have experiences. But this new crew was something we had never seen before. They were the first generation of suburban Americans. They came, not to be citified, but rather to change cities into places they could recognize and dominate.”

“It is a dreadful thing to see the dead city. Next to the port I found children, women, the old, waiting for a way to leave. I entered the houses, there were houses where the coffee and pita bread were left on the table, and I could not avoid [thinking] that this, indeed, had been the picture in many Jewish towns [i.e., in Europe, during World War II].”

“There is simply no room left for 'freedom from the tyranny of government' since city dwellers depend on it for food, power, water, transportation, protection, and welfare. Your right to live where you want, with companions of your choosing, under laws to which you agree, died in the eighteenth century with Captain Mission. Only a miracle or a disaster could restore it.”

“A lot is said, by foreigners and the left, about America being a violent society. Yet if you subtract the crime statistics for its largest cities places that have been under the strict political control of so-called "progressives", sometimes for many generations what remains, the real America, is the most peaceful, productive, prosperous, and truly progressive civilization in all of human history.”

“It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.”

“Blood Dazzler is Patricia Smith's impassioned lyric chronicle of a beloved city in peril, a city whose people were left to die before us all, a people who were the heart of our country and lifeblood of our culture. After rising water, winds and abandonment, after our failure and neglect, comes this symphony of utterance from the ruins: many-voiced, poignant, sorrowful and fierce. This is poetry taking the full measure of its task.”

“Public infrastructure around the world is facing unprecedented stress, with hurricanes, cyclones, floods and forest fires all increasing in frequency and intensity. It's easy to imagine a future in which growing numbers of cities have their frail and long-neglected infrastructures knocked out by disasters and then are left to rot, their core services never repaired or rehabilitated.”