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Like You Quotes

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Like You Quotes

“I really like playing other people. There is no other feeling like it, to have a different voice come out of you and to have a different life for a couple of hours. I like being myself. But maybe it's like you ride a bike every day and someone says, 'For two hours tonight do you want to ride this Harley?' You'd be like, 'OK yeah!”

“I'm young. You can't just sit there and be satisfied. People are like, "You've got all these number ones!" "Yeah...what else?" It all translates into money, and that's how people think of being successful, but my success, I feel like, is credit - credit for a good job. I haven't even gotten a Grammy, yet I've already decided I want an Emmy.”

“Based means being yourself. Not being scared of what people think about you. Not being afraid to do what you wanna do. Being positive. When I was younger, based was a negative term that meant like dopehead, or basehead. People used to make fun of me. They was like, "You're based." They'd use it as a negative. And what I did was turn that negative into a positive. I started embracing it like, "Yeah, I'm based." I made it mine. I embedded it in my head. Based is positive.”

“Yeah, I had it all mapped out actually. Seriously. I wrote it down. I said, 'When I'm the head coach of the Eagles, I'm going to make sure I get that guy on my team.' And then guy next to me was like, 'You're only the offensive coordinator at New Hampshire.' I said, 'Don't worry about it. Minor details. But it's going to work.'”

“You're talking to a modern, nice, affable German person and they're saying to you something like 'You know, vell, it's a critical time now for Germany within Europe, also globally, economically ve are pretty good, ve have been better. But ve are very vibrant in the theater and arts...' and all the time you'll be listening to this, you're thinking Mmm, yeah, mmm... Hitler, Hitler, Hitler, Hitler, Hitler.”

“There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'”

“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right. I talk too much. I also listen too much. I could be a cold-hearted cynic like you, but I don't like to hurt people's feelings. Well, you think what you want about me. I'm not changing. I like me. My wife likes me. My customers like me. 'Cause I'm the real article. What you see is what you get.”

“I enjoy fame except when I'm with my daughter. Kids stop me all the time and I don't want her to be jealous of the attention. Also, sometimes I just want to be left alone and I refuse to make rubber faces. That's when they start asking, What's the matter, man, don't you like your job? I say, Yeah, I like my job. But I also like having sex, and I'm not going to do that in front of you either.”

“And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!”

“It's not like you're closing the old doors and that investigators working away in a laboratories on a unique hypothesis are no longer needed. My gosh, they are indeed. But this becomes a real engine for hypothesis generation and even for proof if you have interventions that you can carry out in this kind of large scale and conduct them in a rigorous way. I guess, yeah, it's different. But it's different in a good way.”

“Yeah, for me there are other challenges that aren't musical too. Like you just don't have as many people to feed off of energy wise, you are loading in and out and you are driving yourself more. Most of the challenges that count are the musical ones. I don't know why people come out to the shows, but I never think that it is to hear me play the guitar and sing. I think it must be in the writing and the presentation, which are the areas that I feel most comfortable.”