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Littles Quotes

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Littles Quotes

“I shall never forget what I saw at the Museum of Modern Art: in a spotless schoolroom, fifty little girls painting away at tables covered with brushes, pots, tubes, bowls, staring into space and sticking out their tongues like the clever animals that ring a bell, tongues lolling and eyes vague. Teachers supervise these young creators of abstract art and slap their wrists if what they paint represents something and dangerously inclines toward realism. The mothers - still at the Picasso stage - are not admitted.”

IfsLittlesArtStillsEyeYoungMotherGirlSpaceForgetAnimalSawsTeacherModernStagePaintingTablesPaintCreatorTongueRingsCleverStaringAbstractFiftyNever ForgetCoveredMuseumsPotBellsRealismBowlsVagueBrushesModernismSlapTubesWristsModern ArtInclineAbstract ArtSticking OutStaring Into Space
Author:Jean Cocteau
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“My aim is to give you only the things with which I am completely satisfied, even if it means asking you a little more [time] for them... for if I were to do otherwise I'd turn into a mere painting machine and you would be landed with a pile of incomplete work which would put off the most enthusiastic of art collectors.”

IfsGivingMeanLittlesArtWould BeTurnsPaintingMachinesAskingAimMereSatisfiedMore TimeEnthusiasticIncompleteCollectors
Book:Monet by Himself: Paintings, Drawings, Pastels, Letters
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“I am constantly amazed at how little painters know about painting, writers about writing, merchants about business, manufacturers about manufacturing. Most men just drift.”

KnowsMenWritingLittlesKnowledgePaintingPainterAmazedManufacturingMerchants
Book:Letters: selected and edited with an introd. and notes by Howard Mumford Jones, in association with Walter B. Rideout
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“Though colour may appear at first a part of painting merely mechanical, yet it still has its rules, and those grounded upon that presiding principle which regulates both the great and the little in the study of a painter.”

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Book:Discourses on Painting and the Fine Arts, delivered at the Royal Academy. With a portrait
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“I have a studio in the country - in the woods - but my paintings look more real to me than what is outdoors. You walk outside; the rocks are inert; even the clouds are inert. It makes me feel a little better. But I do have a faith that it is possible to make a living thing, not a diagram of what I have been thinking: to posit with paint something living, something that changes each day.”

ThinkingFeelsLooksLittlesHas BeensRealCountryNatureWalksRocksPaintingPaintCloudsStudiosWoodsEach DayLiving ThingsDiagrams
Book:Philip Guston: Collected Writings, Lectures, and Conversations
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“In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.”

WayLittlesMadeWantedSpacePaintingDepthActiveOpeningMade ItPlanesShallowInteriorsSpectatorsSpace BetweenOpening UpInterior Space
Book:The Eye's Mind: Collected Writings 1965-2009
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“The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.”

KnowsMenWorldLittlesArtArtistWonderCenturyPaintingElementsConceptsSightHorseSevenCloudsInevitableColourDimensionsHeroicNineteenth CenturyGreat WomenImpliedWoman ArtistMalenessAbove The Clouds
Book:The Obstacle Race: The Fortunes of Women Painters and Their Work
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