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“Botha swimmer and a drowned man are in the water; the latter is borne by the water and controlled by it, while the swimmer is borne along by his own power and of his own volition. Every movement made by the drowned man - indeed, every act and word that issue from him - comes from the water, not from him... The saints are like this. They have died before death.”

“A rising mass movement attracts and holds a following not by its doctrine and promises but by the refuge it offers from the anxieties, barrenness and meaningless of an individual existence. It cures the poignantly frustrated not by conferring upon them an absolute truth or by remedying the difficulties and abuses which made their lives miserable, but by freeing them from their ineffectual selves and it does this by enfolding and absorbing them into a closely knit and exultant corporate whole.”

“Men, women and children too, ran hysterically, falling and stumbling, getting up, tripping and falling again, rolling over and over. Most of them managed to regain their feet and made it to the water. But many of them never made it and were left behind, their feet drumming in blinding pain on the overheated pavements amidst the rubble, until there came one last convulsing shudder from the smoking 'thing' on the ground, and then no further movement.”

“The two parties which divide the State, the party of Conservatism and that of Innovation are very old, and have disputed the possession of the world ever since it was made ... Now one, now the other gets the day, and still the fight renews itself as if for the first time, under new names and hot personalities ... Innovation is the salient energy; Conservatism the pause on the last movement.”

“Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.”

“I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.”