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Manipulation Quotes

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Manipulation Quotes

“After years spent trying to deal with the effects of COINTELPRO, my rage at the FBI's almost unimaginable evil remains undiminished because I believe that it succeeded in many of its horrifying goals, given the deaths of Martin King, Malcolm X, and other sixties leaders. Since the FBI uses taxpayer dollars to fund its extreme and ridiculous investigations of anyone who expresses dissenting opinions, even resorting to crime - including theft, encouragement to murder, subornation of perjury, and manipulation of the judicial process - to achieve its ends, I have always advocated its disbanding.”

“I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images.”

“Indisputably we live in a shaped reality, an artificialism. Most people who grasp this are thinking only at a consumer-level, of the "things" they like and need and feel impelled to acquire. But our societal and political arrangements are just as much manipulations of game-pieces and rules as is any Atari or Sega product. The subliminal psychology that drives people to become addicted to games, not to be able to see over the edges of their labyrinths, is transferable to any field whatsoever.”

“The International Brigade was not formed to protect freedom and democracy. It was founded as a tool of of the Comintern, to promote the interests of the Soviet Union - and thereby of Joseph Stalin, the butcher of millions. It made political sense for the International Brigade to recruit non-communists - useful fools was what Lenin had called such people in an earlier manipulation of gullible decency - but of course most were then vetted by the NKVD, the Soviet Union's secret police.”

“A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater objectivity of the photograph in order to correct my own way of seeing: for instance, if I draw an object from nature, I start to stylize and to change it in accordance with my personal vision and my training. But if I paint from a photograph, I can forget all the criteria that I get from these sources. I can paint against my will, as it were. And that, to me, felt like an enrichment.”