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“And government (to define it de facto, or according to modern prudence) is an art whereby some man, or some few men, subject a city or a nation, and rule it according to his or their private interest; which, because the laws in such cases are made according to the interest of a man, or of some few families, may be said to be the empire of men, and not of laws.”

“It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size.”

“The Anarchists' uncompromising rejection of the State, the subject of Marxian sneers for its "absolutist" and "Utopian" character, makes much better sense in the present era than the Marxist relativist and historical approach. The pacifists also seem to be more realistic than the Marxist both in their understanding of modern war and also in their attempts to do something about it.”

“In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context, is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.”

“What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.”

“A high place of honor, although doubtless one to be obtained only after enduring the pangs of a prolonged crucifixion, awaits that philosophical biologist, or that philosopher sufficiently acquainted with scientific biology, who subjects the modern doctrine of evolution to a thoroughly critical analysis, with a view to detect and to estimate its metaphysical assumptions.”

“Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds?”

“Despite the modern dogma to the effect that women were a subject sex until the nineteenth century 'emancipated' them from history, women in history had demonstrated strong wills and purposes, had made assertions, and had directed or influenced all human destiny, including their own, since human life began.”

“What Warcollier demonstrated is compatible with what modern cognitive neuroscience has learned about how visual images are constructed by the brain. It implies that telepathic perceptions bubble up into awareness from the unconscious and are probably processed in the brain in the same way that we generate images in dreams. And thus telepathic “images” are far less certain than sensory-driven images and subject to distortion.”

“As long as the same passions and interests subsist among mankind, the questions of war and peace, of justice and policy, which were debated in the councils of antiquity, will frequently present themselves as the subject of modern deliberation.”

“I think the subject which will be of most importance politically is mass psychology.... Its importance has been enormously increased by the growth of modern methods of propaganda. Of these the most influential is what is called 'education.' Religion plays a part, though a diminishing one; the press, the cinema, and the radio play an increasing part.... It may be hoped that in time anybody will be able to persuade anybody of anything if he can catch the patient young and is provided by the State with money and equipment.”

“In the Middle Ages the king offered protection to his subjects in return for their loyalty, and the subjects were doubly protected, for the church also sheltered them. The need for shelter - for a father image that cares and will hopefully provide and give some meaning to human lives - remains as real as it was in the Middle Ages, but modern technocracy has no place for either the father or the church and provides no substitute.”

“The modern State exists not to protect our rights but to do us good or make us good - anyway, to do something to us or to make us something. Hence the new name 'leaders' for those who were once 'rulers'. We are less their subjects than their wards, pupils, or domestic animals. There is nothing left of which we can say to them, 'Mind your own business.' Our whole lives are their business.”

“Political Economy as a branch of science is extremely modern; but the subject with which its enquiries are conversant has in all ages necessarily constituted one of the chief practical interests of mankind.”

“No other book has been so chopped, knifed, sifted, scrutinized, and vilified. What book on philosophy or religion or psychology or belles lettres of classical or modern times has been subject to such a mass attack as the Bible? With such venom and skepticism? With such thoroughness and erudition? Upon every chapter, line and tenet?”

“I had ancestors who were slave-holders, which is a difficult piece of family history to say the least. In a recent New York Times article on the subject of modern attitudes toward our slave-holding past, the writer noted that we all want to be from "innocent origins." I _know_ I'm not. Then again, I suspect most of us are not.”

“While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.)”