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“[M]ore than they wanted freedom, the Athenians wanted security. Yet they lost everything-security, comfort, and freedom. This was because they wanted not to give to society, but for society to give to them. The freedom they were seeking was freedom from responsibility. It is no wonder, then, that they ceased to be free. In the modern world, we should recall the Athenians' dire fate whenever we confront demands for increased state paternalism.”

“I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.”

“For most of modern life, our strong talents and desires for group effort have been filtered through relatively rigid institutional structures because of the complexity of managing groups. We haven't had all the groups we've wanted, we've simply had the groups we could afford. The old limits of what unmanaged and unpaid groups can do are no longer in operation.”

“If the decline of Christianity created the modern political zealot - and his crimes - so the evaporation of religious faith among the educated left a vacuum in the minds of Western intellectuals easily filled by secular superstition. There is no other explanation for the credulity with which scientists, accustomed to evaluating evidence, and writers, whose whole function was to study and criticize society, accepted the crudest Stalinist propaganda at its face value. They needed to believe; they wanted to be duped.”

“I had read the criticisms of me and my movies and they were discerning. They said that Crawford needs a new deal, and they asked if I was doomed to explore forever the emotional misfortunes of the super-sexed modern young woman. And so, to break away from the pattern, I wanted to do "The Gorgeous Hussy". Selznick laughed at me. 'You can't do a costume picture. You're too modern.' But I begged and begged and begged, and so they let me do it. I was totally miscast.”

“In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see.”

“I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.”