“Differences in approaches do exist, and in one short moment it is impossible to overcome all of them, but i'm convinced ahead of us we have a constructive dialogue.” MomentsDifferencesImpossibleApproachOvercomingConvincedDialogueImpossibilityConstructive Author:Vladimir Putin
“Jazz is really about the human experience. It’s about the ability of human beings to take the worst of circumstances and struggles and turn it into something creative and constructive. That’s something that’s built into the fiber of every human being. And I think that’s why people can respond to it. They feel the freedom in it. And the attributes of jazz are also admirable. It’s about dialogue. It’s about sharing. And teamwork. It’s in the moment, and it's nonjudgmental.” PeopleThinkingFeelsHumansMomentsTurnsHuman BeingsAbilityStruggleCreativeWorstCircumstancesBuiltJazzDialogueTeamworkAttributesHuman ExperienceConstructiveAdmirableFiber Author:Herbie Hancock
“In playwriting, you've got to be able to write dialogue. And if you write enough of it and let it flow enough, you'll probably come across something that will give you a key as to structure. I think the process of writing a play is working back and forth between the moment and the whole. The moment and the whole, the fluidity of the dialogue and the necessity of a strict construction. Letting one predominate for a while and coming back and fixing it so that eventually what you do, like a pastry chef, is frost your mistakes, if you can.” IfsThinkingGivingWritingEnoughPlayWholeMomentsAbleProcessMistakeKeysFlowStructureDialogueConstructionChefStrictComing BackBack And ForthFixingFrostPastriesFluidityPlaywritingPastry Chef Author:David Mamet
“Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.” IfsWritingKindLittlesIdeasDifferentMomentsReadingStuffHoursWeekMonthsSceneFindingsScriptsDialogueDifferent Ideas Author:Mark Wahlberg
“On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.” TryingTwoDifferentMomentsGuyActorsLinesDealsNiceConnectionsMethodDialogueSensibilityEnjoyable Author:Quentin Dupieux
“In the word question, there is a beautiful word - quest. I love that word. We are all partners in a quest. The essential questions have no answers. You are my question, and I am yours - and then there is dialogue. The moment we have answers, there is no dialogue. Questions unite people.” PeopleMomentsBeautifulAnswersEssentialsPartnersDialogueQuestsBeautiful WordsEssential Questions Author:Elie Wiesel
“Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving towards the watcher on the shore.” ShouldMomentsFictionBreakWaveDialogueNarrativeShoreReservedSprayWatchers Book:The Writing of Fiction Source: The Writing of Fiction
“The process could be likened to relaxing on a riverbank and watching a fish leap out of the water, sparkle for a moment in the sunlight, then dive back in a graceful arc. There is no need to engage in a mental dialogue about the merits and demerits of the fish, emotionally react to the fish, or jump into the water to try to catch the fish. Once the fish is out of sight, it should also be out of mind.” NeedsShouldTryingMindMomentsProcessWaterMeditationSightFishesDialogueMeritLeapSunlightArcsSparkle Author:Bill Vaughan