“The centipede has rhythm and flow in its hundred legs precisely because it does not have to think about it. Consider this the next time you move the instruments of your art.” ThinkingDoeArtMovingNextHundredFlowInstrumentsLegsRhythmNext TimeCentipedes Author:Robert Genn
“A hundred thousand men, coming one after another, cannot move a Ton weight; but the united strength of 50 would transport it with ease.” MenMovingUnitedThousandHundredWeightEaseTeamworkCooperationTransport Book:Letters and Addresses, Source: Letters and Addresses,
“I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.” ShouldMovingSongSidesBuildingThousandSingingHundredDiedDancingNighttimeSinging And Dancing Author:Ryan Adams
“If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.” IfsThinkingShouldWritingFirstsPersonsIdeasCharacterWould BeRunningSchoolMovingLinesPerfectHellKnowingFourProduceTypePagesCapableHundredHigh SchoolDespiseGraduatesTrappedTenseFirst PersonProtagonistsMonologuesGraduating High School Author:Craig Johnson
“What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.” WholeUseMovingFourHappenedHundredStonesPaidTwentiesOriginalsDollarsDrawingTreasureAgentsDamnConvinceSixtyFifteenRollingRolling StonesRue Author:Ralph Steadman
“There are many things worth telling that are not quite narrative. And eternity itself possesses no beginning, middle or end. Fossils, arrowheads, castle ruins, empty crosses: from the Parthenon to the Bo Tree to a grown man's or woman's old stuffed bear, what moves us about many objects is not what remains but what has vanished. There comes a time, thanks to rivers, when a few beautiful old teeth are all that remain of the two-hundred-foot spires of life we call trees. There comes a river, whose current is time, that does a similar sculpting in the mind.” MenMindDoeTwoEndsBeautifulMovingTreeFeetMiddleObjectsBearsHundredRiversCrossesEmptyEternityRemainsCurrentsTeethRuinsThanksNarrativeFossilsCastlesThere Comes A TimeGrown ManSculptingAll That RemainsSpiresParthenon Author:David James Duncan
“I like comic conventions. I genuinely like comic conventions. I like wandering around from table to table; I like wandering up and down Artist's Alley and saying "Hello" to people. I like hanging out on the DC booth. I can't do that anymore. I'd like to, but I can't. I physically can't. If I stop moving, somebody will come up to me with something to sign, and if I sign it, somehow it's like ants sensing sugar. There will be fifty or a hundred people around me and then fire marshals will come and then I'm trapped in a crowd. It's bizarre.” PeopleIfsI CanMovingArtistFireHundredTablesCome UpCrowdsWanderComicFiftyHanging OutSugarConventionsTrappedHelloBizarreUp And DownAntsAlleysSensingWandering AroundSaying Hello Author:Neil Gaiman
“The words 'bad timing' came to be ghosts haunting our every move in Birmingham. Yet people who used this argument were ignorant of the background of our planning...they did not realize that it was ridiculous to speak of timing when the clock of history showed that the Negro had already suffered one hundred years of delay.” PeopleYearsMovingUsedSpeakRealizingHundredArgumentRidiculousPlanningGhostBackgroundsIgnorantClockTimingDelayHauntingBirminghamBad Timing Book:Why We Can't Wait Source: Why We Can't Wait
“The move from scarcity thinking to abundance thinking, from zero-sum competition to one-hundred-sum collaboration, is not just a “nice” or “moral” idea. In the twenty-first century, it's plain good sense. Scarcity says, “I'm going to keep all my ideas to myself and sell more than anyone else.” Abundance says, “By mentoring, coaching, and sharing all our best ideas, we're going to create a powerful tide that raises all our ships-and we'll all sell more as a result".” ThinkingFirstsIdeasMovingResultsPowerfulMoralNiceCenturyHundredTwentiesRaisesSellsCompetitionShipsCoachingAbundanceZeroCollaborationTidesGood SenseScarcityMentoring Author:Daniel Burrus
“I definitely want to do films. To see a character out from beginning to end in a matter of a hundred somewhat pages and then move on to the next role, is fascinating.” WantEndsMatterCharacterFilmMovingNextRolesPagesHundredFascinating Author:Michael B. Jordan