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Nashville Quotes

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Nashville Quotes

“I moved cities for about four months to try to provoke some inspiration and put myself in an uncomfortable situation where I would be meeting new people and have a change in locale. I look back at my career and one of my favorite records I ever made was right after I moved to Nashville.”

“My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.”

“I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs.”

“It's really hard to find things that are worth leaving them for. [Balancing work and motherhood is] really hard. One night in Nashville, my son was screaming with a terrible stomachache. I was like, 'I have to get out of here!' but we had to finish. My friend Jenno, a mother of three who was producing, was great, reminding me that nine times out of 10, they just have gas.”

“Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.”

“Man, if anybody knew the path that we've been on, no one in their right mind would ever try to duplicate it. That's something Nashville always tries to do, though. If something is successful, they try to repeat it by telling other people, "Hey, do what that guy did." I just don't think it works that way. The first one who gest there, the one that cuts the path ... it's always the roughest path but I think it's got the most reward at the end.”

“I don't think I ever saw Hank with anybody, say, 'Let's go write a song.' One Sunday morning we left Nashville to go to Birmingham to do a matinee and a night, and he said, 'Hand me that tablet up there.' And he wrote down, 'Hey, good lookin', what you got cookin'' and before we got to Birmingham it was finished.”

“Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are 'story cities'- New York, of course, New Orleans, and, best of the lot, San Francisco.”