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Natural Quotes

“Anne Pitkin's poems have such lyrical sweep, such a sensitive eye for the natural world as it touches the human, that reading Winter Arguments is like seeing a landscape or, better, a richly realized painting of a landscape dotted with figures. But that would leave out their music, which would be a loss. This is a wise and graceful book by a well-traveled woman who knows how to confront deep feeling and frame it to make it all the more intense.”

“It is saying less than the truth to affirm that an excellent book (and the remark holds almost equally good of a Raphael as of a Milton) is like a well-chosen and well-tended fruit tree. Its fruits are not of one season only. With the due and natural intervals, we may recur to it year after year, and it will supply the same nourishment and the same gratification, if only we ourselves return to it with the same healthful appetite.”

“Throughout his last half-dozen books, for example, Arthur Koestler has been conducting a campaign against his own misunderstanding of Darwinism. He hopes to find some ordering force, constraining evolution to certain directions and overriding the influence of natural selection. [...] Darwinism is not the theory of capricious change that Koestler imagines. Random variation may be the raw material of change, but natural selection builds good design by rejecting most variants while accepting and accumulating the few that improve adaptation to local environments.”

“The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.”

“I recall an incident involving the late George Stigler at a conference in Spain in the 1980s. Hearing that I had written a book on reason and natural law, Stigler started to ridicule reason, going so far as to say that there is as much reason in a monkey's antics as in any human act. At that point I asked him whether he was trying to tell me something about how he wrote his books; he gave me a blank stare and stormed out of the room.”

“Comics play a trite but lusty tune on the C natural keys of human nature. They rouse the most primitive, but also the most powerful, reverberations in the noisy cranial sound-box of consciousness, drowning out more subtle symphonies. Comics scorn finesse, thereby incurring the wrath of linguistic adepts. They defy the limits of accepted fact and convention, thus amortizing to apoplexy the ossified arteries of routine thought.”

“So long as a novelist works selfishly for the pleasure of creating character and situation corresponding to his own illusions, ideals and intuitions, he will always produce something worth while and natural. Directly he takes himself too seriously and begins for the alleged benefit of humanity an elaborate dissection of complexes, he evolves a book that is more ridiculous and tiresome than the most conventional cold cream girl novel of yesterday.”

“The gift of creative reading, like all natural gifts, must be nourished or it will atrophy. And you nourish it, in much the same way you nourish the gift of writing - you read, think, talk, look, listen, hate, fear, love, weep - and bring all of your life like a sieve to what you read. That which is not worthy of your gift will quickly pass through, but the gold remains.”

“The perfectly natural thing to do with an unreadable book is to give it away; and the publication, for more than a quarter of a century, of volumes which fulfilled this one purpose and no other is a pleasant proof, if proof were needed, of the business principles which underlay the enlightened activity of publishers.”

“When quite young I can remember I had no thought or wish of surpassing others. I was rather taken with a liking of little arts and bits of learning. My mother carefully fostered a liking for botany, giving me a small microscope and many books, which I yet have. Strange as it may seem, I now believe that botany and the natural system, by exercising discrimination of kinds, is the best of logical exercises. What I may do in logic is perhaps derived from that early attention to botany.”

“I have the disadvantage of not being sociable. Wall Street men are fond of company and sport. A man makes one hundred thousand dollars there and immediately buys a yacht, begins to race fast horses, and becomes a sport generally. My tastes lie in a different direction. When business hours are over I go home and spend the remainder of the day with my wife, my children, and books of my library. Every man has natural inclinations of his own. Mine are domestic. They are not calculated to make me particularly popular in Wall Street, and I cannot help that.”

“Rick Bass is one of a dwindling handful of American fiction writers still celebrating the importance of place, the natural world, and the struggle of a few brave souls to live and work respectfully in what's left of our western wilderness...The Lives of Rocks is his most lyrical and powerful book to date...a masterwork.”

“For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.”

“To divert myself from a troublesome fancy, it is but to run to my books; they presently fix me to them, and drive the other out of my thoughts, and do not mutiny to see that I have only recourse to them for want of other more, real, natural, and lively conveniences; they always receive me with the same kindness.”

“I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.”

“I think as soon as I figured out - and this must have been incredibly young - that comic books were made by humans, rather than being natural phenomenon likes trees or rocks, I just wanted to be one of the people who did that. So I was copying all kinds of cartoons that I was reading, comic books, and eventually learned how to draw cartoon books step-by-step and just, I don't know, I'm not an especially quick learner, but I sure was a dedicated one.”