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Negative Quotes

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Negative Quotes

“In every human being one or the other of these two instincts is predominant: the active or positive instinct to offer hospitality, the negative or passive instinct to accept it. And either of these instincts is so significant of character that one might as well say that mankind is divisible into two great classes: hosts and guests.”

“With this new stupid Supreme Court ruling, secret money can come in on an unlimited level from corporations. Nobody knows where it comes from. That distorts the political situation in our country tremendously. Most of that money is spent on negative advertising that is tearing down the character and reputation of your opponent, and it works, although most American people say, "We don't like negative advertising," it works.”

“Evil denotes the lack of good. Not every absence of good is an evil, for absence may be taken either in a purely negative or in aprivative sense. Mere negation does not display the character of evil, otherwise nonexistents would be evil and moreover, a thing would be evil for not possessing the goodness of something else, which would mean that man is bad for not having the strength of a lion or the speed of a wild goat. But what is evil is privation; in this sense blindness means the privation of sight.”

“Sometimes I will portray the more normal-looking people as the monsters and then the more distorted - "uniquely formed" is the word I like to use, rather than monstrous - as the sympathetic characters in the painting. It's interesting because some people will get it right away, but a common reaction is to be a little off-put by it. And that is the whole idea. If it grabs somebody in a negative way, that's my intention.”

“I never ever would have thought initially it would have been someone like Pierce playing Charles. I think he has an innate likeability to him, as soon as you meet him he's very, very charismatic. Charles, on the page, was someone who's very domineering and quite a negative character, and Pierce just by being Pierce can change the whole dynamic of it, which made for a much for interesting relationship. He's a really nice guy.”

“To any writer: Teach yourself to work in uncertainty. Many writers are anxious when they begin, or try something new. Even Matisse painted some of his Fauvist pictures in anxiety. Maybe that helped him to simplify. Character, discipline, negative capability count. Write, complete, revise. If it doesn't work, begin something else.”

“The other thing about the Nights is that it is quite racist. One parentheses is that I think this is one of the negative things that appeal to people, that The Arabian Nights could be used as a disguise for racism. It suited the West. You could smuggle racism into children's literature, you see. The African magician in the story of Aladdin, he's labeled explicitly as the "African Magician." He's not a character but a stereotype, and a lot of this got into nursery literature in this Oriental disguise.”

“Michael, from 'Six Dance Lessons...' He was somebody who had a lot of self-loathing; being a gay man who lost his family and felt ostracized. It was an interesting character to play. He was so bitter and jaded about life. Even though I'm not like that personally, everybody has a side of themselves that tends to look at the negative side of things. He was an interesting character to play.”

“Christian morality (so called) has all the characters of a reaction; it is, in great part, a protest against Paganism. Its ideal is negative rather than positive; passive rather than action; innocence rather than Nobleness; Abstinence from Evil, rather than energetic Pursuit of Good: in its precepts (as has been well said) "thou shalt not" predominates unduly over "thou shalt.”

“Neither heredity nor environment determine character. But whether we give in to or overcome the negative messages we are exposed to as we wend our way through life is often determined by whether our parents, teachers, mentors and friends exposed us to good examples and morally inspiring ideas.”

“A full-dressed ecclesiastic is a sort of go-cart of divinity; an ethical automaton. A clerical prig is, in general, a very dangerous as well as contemptible character. The utmost that those who thus habitually confound their opinions and sentiments with the outside coverings of their bodies can aspire to, is a negative and neutral character, like wax-work figures, where the dress is done as much to the life as the man, and where both are respectable pieces of pasteboard, or harmless compositions of fleecy hosiery.”