“Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.” Has BeensIdeasFilmLanguageAudienceHugePagesScriptsSophisticatedBlockbuster Author:Connie Nielsen
“Traditional horizontal search engines cannot always identify the target audience, niche or vertical industry of a page or site. Vertical search engines address this issue by the nature of their design. They identify sites according to more specific criteria and sometimes even by human input.” HumansSometimesAudienceIssuesDesignIndustryPagesTraditionalAddressesTargetEnginesSiteCriteriaNicheInputVerticalHorizontalTarget AudienceSearch Engine Book:Get Rich Click!: The Ultimate Guide to Making Money on the Internet Source: Get Rich Click!: The Ultimate Guide to Making Money on the Internet
“The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that...") and it's magic and wonderful and strange.” PeopleKnowsFeelsWritingMeanMomentsStoriesCoursesFictionAudienceFireWonderfulMagicStrangePagesObviousCreatorMake SenseBest ThingsThat MomentSurprisingWriting FictionSaying And Doing Author:Neil Gaiman
“I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen.” IfsNeedsI CanImportantEyeCareFilmMovingAudienceStageLessonsElementsPagesPicksDon't CareScreensI Don't CareFlipScreenplaysLearning Lessons Author:Robert Evans
“I do think there's a relationship between a book and a reader that's more intimate, in many ways, than the relationship between an audience member and a play - just by the nature of it being an object that you can have in bed with you and that you can keep and page through.” ThinkingWayBookPlayAudienceObjectsReaderBedMembersPagesIntimate Author:Sarah Ruhl
“The male intimacy and raw honesty was already developing on the page 'Oscillate Wildly' with these characters. Being explicit would not only distract and alienate certain audiences, it would limit who has access to the film, and that's something I think a lot about with this story.” ThinkingCharacterStoriesFilmCertainAudienceHonestyLimitsPagesMalesAccessIntimacyDevelopingExplicit Author:Travis Mathews
“It's much more fun as an actor, as well. If everything is on the page and you're spoon-feeding an audience you feel like your job is merely to say the words clearly because the structure of the story will take care of itself.” IfsFeelsWellsStoriesCareJobsActorsFunAudienceLike YouPagesStructureTake CareFeedingSpoons Author:Tom Hughes
“We read novels. We read hundreds of pages of words, when the story is good because we're willing to stay there. I hope the story is good. I'm going into this venture thinking that the audience is really smart and really wants to hear all the nuances of what we're saying.” ThinkingWantStoriesNovelAudienceWillingPagesSmartVentureNuanceReally Smart Author:Veena Sud
“It's a simple and an effective way of getting everyone on the same page, prepared and paying attention to the gag. People just get into that frame of mind of you doing impressions. It can take a minute or two for an audience to catch on when you aren't doing one.” PeopleWayMindTwoSimpleAttentionAudienceMinutesPagesPreparedImpressionPay AttentionFrame Of MindGags Author:Frank Caliendo
“I look at it scene-by-scene. Whether it's a historical character or not, whatever, on the page is one thing and delving into the history or somebody is one thing, but making something work for an audience in front of a camera is another exercise and you bring whatever authenticity you can to it.” LooksCharacterAudienceOne ThingFrontsExerciseScenePagesCamerasHistoricalAuthenticityDelving Author:Gary Cole
“Songs like "Spirit Carries On" really gets the audience moved and on the same page. It's challenging and all so much fun to play.” PlaySpiritSongFunChallengesAudiencePagesMovedCarrie Author:John Petrucci
“It's a neat experience to go from the blank page to an actor elevating it to the audience understanding it - the full life of that is why I became a writer.” ActorsUnderstandingAudiencePagesBlankNeatFull LifeBlank PagesElevating Author:Bryan Fuller
“My point is that the great challenge of an artist is to balance those two things: to be strong enough to have your own personal vision that you will put on the page or the canvas or the screen, no matter what people say, but it requires a radical sensitivity. You have to be completely open to what the world is telling you, to what your audience tells you. And balancing those two things is nearly impossible.” PeopleWorldTwoMatterEnoughArtistStrongChallengesVisionAudienceImpossibleBalancePagesNo Matter WhatScreensRadicalTwo ThingsCanvasSensitivityStrong EnoughPersonal Vision Author:Malcolm Gladwell
“In today's social business marketplace Facebook is one of the best places for nonprofits to be discovered and connect with a larger audience on the basis of shared values. So to get started, a non-profit should launch a Facebook page and invite your existing real world community to connect your cause and their networks.” WorldShouldRealTodayValuesSocialCausesCommunityAudiencePagesBasesProfitReal WorldInvitesMarketplaceBest PlaceNonprofitsNon ProfitShared ValuesFacebook PageSocial Business Author:Simon Mainwaring
“In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.” IfsSeemsFilmAudiencePiecesReaderPagesSpeedChecksDialoguePaceEchoesFlip Author:Alan Moore