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“Memoirs have dominated the literary scene now for ten or 20 or even 30 years: most of them seem to use the conventions of fiction and it's astonishing how in so many of these books people seem to be able to remember conversations that took place when they were five years old and give three pages of coherent dialogue, which is utterly impossible.”

“I update my MySpace every day, I update my Facebook fan page, but that's about the extent of it. I don't want to get into extended conversations with people on MySpace, because there are friends I have extended conversations with every day. I'm on the phone every day. There's like five people I just call and yak with every single day. And that to me is my Internet. You can replace the Internet with five really smart friends.”

“Be not so set upon poetry, as to be always poring on the passionate and measured pages. Let not what should be sauce, rather than food for you, engross all your application. Beware of a boundless and sickly appetite for the reading of poems which the nation now swarms withal; and let not the Circaen cup intoxicate you. But especially preserve the chastity of your soul from the dangers you may incur, by a conversation with muses no better than harlots.”

“It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible.”

“There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.”

“I think romance is friendship and attraction sort of meeting together and that does influence what I'm writing a lot. I try to establish the attraction, obviously, but I also think it's important to show the characters having actual conversations about things other than their feelings for each other - and to develop their friendship on the page.”

“After a time I found that I could almost listen to the silence, which had a dimension all of its own. I started to attend to its strange and beautiful texture, which of course, it was impossible to express in words. I discovered that I felt at home and alive in the silence, which compelled me to enter my interior world and around there. Without the distraction of constant conversation, the words on the page began to speak directly to my inner self. They were no long expressing ideas that were simply interesting intellectually, but were talking directly to my own yearning and perplexity.”

“Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.”