“Working in television it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it. You have more time, more room, an ability to reflect on your performance and the character and how much has really been shown, and what you'd like to see. It's nice. You have more breathing room.” LongCharacterAbleAbilityRoomsNiceTelevisionLike YouPeriodsShotsPerformancesSticksBreathingMore TimeReally GreatLong Periods Of Time Author:Christina Ricci
“When we go to different areas and look at doing period pieces and movies shot in other states and locations, even overseas, it's hard to carry 1700 volunteers from your church with you to do that. And so, we knew that there were going to be growing pains at some point.” LooksDifferentHardStatesPainChurchPiecesGrowingPeriodsShotsAreasVolunteerLocationGrowing Pains Author:Alex Kendrick
“Some period pieces are shot slightly objectively, a little bit, and some call it stuffy or dusty or old fashioned. I always felt that some of the films that I admire the most are the ones where they're intimate with the characters.” LittlesCharacterFilmFeltBitsPiecesPeriodsLittle BitShotsAdmireIntimateOld Fashioned Author:Nikolaj Arcel
“I don't think the film is going to work for everybody, period. It wasn't meant to be done for everybody. I didn't four quadrant this movie, like Hollywood did. I knew it was a very specific audience that was there. We're also taking a shot in the dark.” ThinkingDoneFilmDarkAudienceFourPeriodsShotsHollywoodMeant To BeGoing To Work Author:Joseph M. Kahn
“Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.” ThinkingWayBelieveI BelievePeriodsShotsShootingIronyContinuation Author:Michel Hazanavicius
“I was in Mongolia, pretty extreme situations. We were sick with dysentery, we were sick with bronchitis. I had been bitten by a dog for the first time in my life and my whole hand was black, and there was no way to even think of getting a rabies shot without driving for five days, and then you wouldn't have wanted that needle in your skin anyway. And I had my period. Everything was wrong at one time. Like, I couldn't have been more uncomfortable. And I stayed up - it was too cold to sleep.” ThinkingWayFirstsHas BeensWholeHandsWantedBlackSleepSituationFiveDogColdPeriodsShotsFirst TimeSkinsSickExtremesDrivingUncomfortableOne TimeNeedlesMongoliaRabiesBronchitisDysentery Author:Pam Houston
“You also had in Detroit that summer, an early variation of Ferguson. A black prostitute was shot in the back by police. And all of the efforts that a very progressive police chief and mayor of that period had put into trying to restore race relations started to fall apart again, and you could see that unraveling for several years until the riots or rebellion of 1967.” TryingYearsFallBlackEffortRacePeriodsSummerShotsRelationPoliceChiefsRebellionProgressiveFalling ApartVariationRace RelationsRiotMayorsDetroitFergusonUnraveling Author:David Maraniss
“Meek's Cutoff by Kelly Reichardt. It's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.” CharacterStoriesRealityFoundPeriodsLosingShotsComplexesPatientFilmmakerFeminineMasculineMeekUnforgivingHarshness Author:Chloe Zhao
“The rehearsal period is so far away from the time when the scene will actually be shot that very little is remembered.” LittlesPeriodsSceneShotsRememberedFar AwayRehearsal Author:Peter Stone