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Return Quotes

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“We must look at what immigration to America involves. To the new arrivals, the change is excruciating. Learning a new language and dealing with strange customs make the first years of life in the new land painful... The economic system of the United States is a mighty engine of persuasion. It motivates people to do what otherwise they never would in return for fulfilling their dreams. In the process, people learn that there is no sharp line between physical well-being and the higher purposes of life. The comfort of owning a house is at once meeting the obligation to care for one”

“There’s nothing wonderful or interesting about unrequited love. I think it’s shitty, just plain shitty. To love someone who doesn’t return your affections might be exciting in books, but in life it’s unbearably boring. I’ll tell you what’s exciting: sweaty, passionate nights. But sitting on the veranda outside the home of a sleeping woman who isn’t dreaming about you is slow moving and just plain sad.”

“We all have come from infinity, We all live within infinity, We all shall return to infinity, We are all manifestation of one infinity, We are all brothers and sisters of one infinite universe, Let us love each other, Let us help each other, Let us encourage each other, Let us all together continue to realize The endless dream of one peaceful world, We are always ONE forever.”

“You travel life has the aspect of a dream. It is something outside the normal, yet you are in it. It is peopled with characters you have never seen before and in all probability will never see again. It brings occasional homesickness, and loneliness, and pangs of longing ... But you are like the Vikings who have gone into a world of adventure, and home is not home until you return.”

“The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.”

“...so now, Mrs. Ramsay thought, she could return to that dream land, that unreal but fascinating place, the Manning's drawing-room at Marlow twenty years ago; where one moved about without haste or anxiety, for there was no future to worry about. She knew what had happened to them, what to her. It was like reading a good book again, for she knew the end of that story, since it had happened twenty years ago, and life, which shot down even from this dining-room table in cascades, heaven knows where, was sealed up there, and lay, like a lake, placidly between its banks.”

“She was tired of hugging pillows, counting on blankets for warmth, and reliving romantic moments only in her dreams. She was tired of hoping that every day would hurry so she could get on to the next. Hoping that it would be a better day, an easier day. But it never was. Worked, paid the bills, and went to bed but never slept. Each morning the weight on her shoulders got heavier and heavier and each morning she wished for night to fall quickly so she could return to her bed to hug her pillows and wrap herself in the warmth of her blankets.”

“The world was a terrible place, cruel, pitiless, dark as a bad dream. Not a good place to live. Only in books could you find pity, comfort, happiness - and love. Books loved anyone who opened them, they gave you security and friendship and didn't ask anything in return; they never went away, never, not even when you treated them badly.”

“These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.”

“I hope you will have a wonderful year, that you'll dream dangerously and outrageously, that you'll make something that didn't exist before you made it, that you will be loved and that you will be liked, and that you will have people to love and to like in return. And, most importantly (because I think there should be more kindness and more wisdom in the world right now), that you will, when you need to be, be wise, and that you will always be kind.”

“About dreams. It is usually taken for granted that you dream of something that has made a particularly strong impression on you during the day, but it seems to me it´s just the contrary. Often it´s something you paid no attention to at the time -- a vague thought that you didn´t bother to think out to the end, words spoken without feeling and which passed unnoticed -- these are the things that return at night, clothed in flesh and blood, and they become the subjects of dreams, as if to make up for having been ignored during waking hours.”

“Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.”

“Cal says that humans are made from the nuclear ash of dead stars. He says that when I die, I'll return to dust, glitter,rain. If thats true, I want to be buried right here under this tree. Its roots will reach into the soft mess of my body and suck me dry. I'll be re-formed as apple blossom. I'll drift down in the spring like confetti and cling to my family's shoes. They'll carry me in their pockets to help them sleep. What dreams will they have then?”

“To laugh is to risk appearing a fool. To weep is to risk appearing sentimental. To reach out to another is to risk involvement. To expose feelings is to risk exposing your true self. To place your ideas and dreams before a crowd is to risk their loss. To love is to risk not being loved in return. To hope is to risk pain. To try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing.”