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“place where man laughs, sings, picks flowers, chases butterflies and pets birds, makes love with maidens, and plays with children. Here he spontaneously reveals his nature, the base as well as the noble. Here also he buries his sorrows and difficulties and cherishes his ideals and hopes. It is in the garden that men discover themselves. Indeed one discovers not only his real self but also his ideal self?he returns to his youth. Inevitably the garden is made the scene of man's merriment, escapades, romantic abandonment, spiritual awakening or the perfection of his finer self.”

“In Lucretius, sexual desire is considered real and genuine, whereas love is illusory. Venus, the goddess who represents the power of sexual desire, is the font of love. She merely mocks lovers with mental images. Try as they might, lovers cannot satisfy themselves by gazing nor by rubbing against one another because the madness of love will always return; hence Lucretius' prescription to flee the mental images, that is, to ward off what feeds love, turning the mind elsewhere.”

“In the Middle Ages the king offered protection to his subjects in return for their loyalty, and the subjects were doubly protected, for the church also sheltered them. The need for shelter - for a father image that cares and will hopefully provide and give some meaning to human lives - remains as real as it was in the Middle Ages, but modern technocracy has no place for either the father or the church and provides no substitute.”

“There's this idea that artists are free and that means that we can do whatever we want to do. And it's very important to engage with this idea, just as human beings, that we are free to do what we wanna do. So the real question becomes, then, what do we wanna do? And as one gets to know oneself, one finds that there are things that return again and again that you wanna do.”

“I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.”

“We're richer, but that wealth doesn't reflect durable, authentic economic value - which is hitting fast diminishing returns. The growth that we're pursuing is neither sustainable - nor is it, in many ways, real growth at all. Boardrooms from finance to autos to energy to pharma to fashion have learned that the hard way.”

“Home is a blueprint of memory...Finding home is crucial to the act of writing. Begin here. With what you know. With the tales you've told dozens of times...with the map you've already made in your heart. That's where the real home is: inside. If we carry that home with us all the time, we'll be able to take more risks. We can leave on wild excursions, knowing we'll return home.”

“Boris Nemtsov and I began to argue after Putin's return to the presidency in 2012. In my opinion, there was no longer a realistic chance to achieve regime change through peaceful political means, or real elections. Boris, on the other hand, never lost this hope. He felt that my assessment was premature and said: "You have to live a long time to see changes in Russia." He was deprived of that opportunity.”

“They offer, if we are wise enough or simple enough to take it, a model for what it means to give your heart with little thought of return. Both powerfully imaginary and comfortingly real, dogs act as mirrors for our own beliefs about what would constitute a truly humane society. Perhaps it is not too late for them to teach us some new tricks.”

“The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.”

“Finding a single investment that will return 20% per year for 40 years tends to happen only in dreamland. In the real world, you uncover an opportunity, and then you compare other opportunities with that. And you only invest in the most attractive opportunities. That's your opportunity cost. That's what you learn in freshman economics. The game hasn't changed at all. That's why Modern Portfolio Theory is so asinine.”

“As the show's executive producer, I envisioned something akin to "Gilligan's Island" meets Lord of the Flies meets Ten Little Indians mets "The Real World." "Survivor" marks a return to a core element of adventure: staying alive.”

“Magic is a two-way process: you use it to change yourself and in return, it changes you. Letting yourself enter a magical reality is not about creating an enclave of magic beyond your everyday life, but of allowing magic in- allowing for the intrusion of the weird, the irrational, the things you can't explain, yet are undeniably real.”

“I think we've got to look at corporate law. Back in the day when I studied it, there were different constituencies that were to be served, and I think there was a real wrong turn about 20 to 25 years ago when the theory began to be promoted that your highest duty - in fact, some would argue, your only duty - is to maximize shareholder return. I just don't buy it. And it wasn't the original underpinnings of the legal theory of corporate law.”

“What we're seeing now is not just a backlash against feminism. When you look at guys like [Jesse] Helms in the '80s or even Reagan and Bush, there was a real political backlash against feminism. This is different. This is a parodic recreation of the destruction of traditional masculinity. Look at these hollow men. Look at Steve Bannon who wears sweat pants, who doesn't shave. Or Yiannopoulos who is just a clown. This is toxic masculinity. It's new. To see it as a return to the past is a mistake. It's the breakdown of traditional masculinity, rather than its retrenchment.”

“What is the appeal of Trump, really? It's nostalgic: "Make America great again." Like European nationalists, he has a vision of a "real" America, one which predates globalization, immigration, feminism, the civil rights movement and technological change, an imaginary 1950s to which we can now return. That is actually not very different from the kind of language that Marine Le Pen uses, or parts of the Brexit movement.”

“I have a lot of faith. But I am also afraid a lot, and have no real certainty about anything. I remembered something Father Tom had told me--that the opposite of faith is not doubt, but certainty. Certainty is missing the point entirely. Faith includes noticing the mess, the emptiness and discomfort, and letting it be there until some light returns.”