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Right Now Quotes

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Right Now Quotes

“I love stories where the impossible appears believable, plausible and real. Maybe it's silly, but it's one of the reasons Michael Crichton's writing always appealed to me: he took outlandish ideas and made them seem completely within the realm of possibility. I remember reading "Jurassic Park" and feeling like: "Oh, yeah - no, that's totally happening right now. They're bringing back dinosaurs!"”

“Keep your head down, avoid all the distractions of being a writer today—all the shifts in the business, all the drama, all the debating about where publishing is going—and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.”

“The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.”

“The conventional wisdom is - people say this all the time - you should only write something when you're far enough away from it that you can have a perspective. But that's not true. That's a story that you're telling. The truth of it is here, right now. It's the only truth that we ever know. And I'm interested in that truth and the confusion being part of the experience and sorting it your way through and figuring it out.”

“I'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.”

“The problem facing humanity today is not a political problem; it's not a financial problem; it's not a military problem. It's obviously a spiritual problem. That is, it has to do with what we believe to be true about who we are, where we are, why we are where we are, and what are we doing on the Earth. What is the purpose of life itself? What we need right now are leaders or models, people who will stand up and not only help to write a cultural story, but help to model it in the way that they interact with each other.”

“I have a word for you. I know your whole life story. I know every skeleton in your closet. I know every moment of sin, shame, dishonesty and degraded love that has darkened your past. Right now I know your shallow faith, your feeble prayer life, your inconsistent discipleship. And my word is this: I dare you to trust that I love you just as you are, and not as you should be. Because you’re never going to be as you should be.”

“I'm more intrigued by things that I haven't really conceived of yet. I have the luxury of being able to think: "I've never done a ballet or an animated film myself." There are certain things that I feel I'd love to. I just want to keep trying new things and seeing if I'm any good at them, and if I'm not, then at least learning that. I definitely think I'm more interested in what medium I can explore right now than any specific story.”

“These are the moments. These are the moments where you realize love is everywhere if you look closely. When you realize happiness isn't next weekend, and it's not last week, it's right now. That was one of the best nights of my life. It felt good to know purpose. I lay in my bunk and I think of all the stories I'm in. I think about all the stories that are in my story. I think about all the stories that are left to be written. And it might be my favorite book yet.”

“Crazy Love is crazy good! Leslie What's brain is evidently crowded with strangeness, awfulness, wonderfulness, wildness, madness of all kinds...and love. Lots of love. How lucky we are that her imagination runs deep, runs true, runs onto the page in crazily beautiful stories -- and lucky, so very lucky, to be holding those stories right now in our hands.”

“I saw a guy wearing a "What Would Jesus Do?" bracelet and a Lance Armstrong bracelet, and he went up to this blind kid and rubbed his eyes, and the kid could see. But he wasn't used to the light, 'cause it was bright, and he walked into traffic and was killed instantly. Okay, the people that are laughing right now? I'm gonna call you guys half-full. Because you're focusing on the important part of the story: the bracelets are working.”

“There are advances in technology and enabling voices, but there are issues with the stories themselves. I think people of color are still not seen as human beings. They're still associated with types, with comedy, but we're in a crisis right now, with things like Black Lives Matter. We need films that address these issues.”

“Every time someone reads a story about the politics poisoning the global warming stuff it makes it feel like a political story, meaning it's Us and Them, instead of what it is: this profound challenge we face given our energy norms right now, the fuels of convenience toward something new. No matter what the politics are, it's still an enormous transformation that has to take place.”

“I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.”

“I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.”

“I think the hardest thing about the part is the responsibility that you feel playing something that is so real and resonant in our times. There are people coming home right now with those stories, and I'm just an actress pretending to be that person. You hope that you can shed some light on somebody's predicament.”

“I think it's just as viable a way of telling a story as anything else but for right now we like playing around with the new ways to do 3-D because I think it's only going to get better. I think that eventually we'll come home, we'll sit in our living room and there will be a little hologram that'll pop up and you'll watch these 3-D movies but you'll be able to walk around it.”

“[Captain Fantastic] it's a great story. It's one of the better scripts I've read, ever, as far as being great from beginning to end. It handles a variety of characters. You have six children who all stand on their own, they're all individuals. And it touches on a very real issue, which is the lack of cohesion and communication in America right now.”

“Look at the ozone story. As long as it was the southern hemisphere that was being threatened, there was very little talk about it. When it was discovered in the north, very quickly actions were taken to do something about it. Right now there's discussion of putting serious effort into developing a malaria vaccine, because global warming might extend malaria to the rich countries, so something should be done about it.”

“I'm such a huge fan of television and what's happening in television, right now. You are able to visit characters and visit a story, week to week, push things in a different way than you can in a film, and you are able to go deeper, simply because you have more time. I'm just excited to do that. It's always good to do new things.”

“The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.”

“Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.”