“I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages.” WritingYearsDreamRememberNextFatherLeftFiveMinesMonthsScenePagesEightTwinsFragments Author:Tamora Pierce
“I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.” ChildrenTwoMomentsNextBirthSceneSittingTablesFollowingNext DayBizarreFridaySitting AroundLeonardoRehearsingMoroccoSitting Around A Table Author:Mark Strong
“When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.” ThinkingFirstsFilmNextGivenWatchesSceneMovedEtc Author:Zhang Ziyi
“Cruise passengers can be blinded to the very real perils of the sea by ship operators unwilling to interrupt the party for security warnings. And after an incident occurs, a thorough investigation can be profoundly difficult when the crime scene literally floats away, on schedule, to its next port of call.” RealNextDifficultPartySeaSecurityCrimeSceneBlindShipsWarningInvestigationSchedulesBlindnessFloatsPerilIncidentsUnwillingPortPassengersThoroughBlindedCruiseOperators Author:Chris Shays
“Having the security of being in a series week in, week out gives you great flexibility; you can experience with yourself, try a different scene different ways. If you make a mistake one week, you can look at it and say, 'Well, I won't do that again,' and you're still on the air next week.” IfsWayGivingTryingWellsLooksStillsDifferentNextMistakeAirWeekSecuritySceneSeriesDifferent WaysFlexibilityNext Week Author:Clint Eastwood
“I laugh at it now, but one time I had an agent tell me I would never work in TV if I didn't get a nose job. People tell you to change yourself to fit into the L.A. scene, but the advice usually doesn't make any sense. The next agent told me my nose was great!” PeopleIfsJobsNextLaughingAdviceTvsFitSceneAgentsNosesOne TimeChange Yourself Author:Amanda Righetti
“Every stage of my life set the scene for the next, and at each point all I had to do was say "yes" and not think too much about the consequences.” ThinkingNextToo MuchStageSceneConsequence Author:Jane Goodall
“There comes a day of public ceremonial, and a chance to make a speech.... A million voters with IQs below 60 have their ears glued to the radio. It takes four days' hard work to concoct a speech without a sensible word in it. Next a dam must be opened somewhere. Four dry Senators get drunk and make a painful scene. The Presidential automobile runs over a dog. It rains.” HardRunningNextChanceMillionsFourAtheismDogHard WorkSceneSpeechRainEarsPainfulRadioPositive AtheismDrunkPresidentialDryVotersSensibleSenatorsAutomobileDams Author:H. L. Mencken
“When you have Ken Jeong naked next to you when you're doing a scene, it's pretty easy to stay loose.” NextEasySceneNaked Author:Danny Pudi
“I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.” IfsKnowsLooksKindMeanPersonsDoneFilmNextImagineSceneKissing Author:Jennifer Lopez
“My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.” IfsGivingFeelingsNextActorsProcessQualityInformationSceneDirectorsPerformancesStrongestInstruction Author:James Preston Rogers
“I'm getting so old - it's more uncomfortable to do those scenes now than when I was 20. I mean, I don't have a big problem with nudity on screen. But usually the days when you do those naked love scenes are the weirdest ones on set. Everyone is uncomfortable. You're like, 'Hi. How are you?' Then the next minute you're with an actress who you don't know and you're pretending to make love to her in front of all the crew. The acting challenge is pretending things are OK.” KnowsMeanProblemBigsNextChallengesActingMinutesFrontsSceneActressesScreensNakedUncomfortablePretendingMaking LoveCrewNudityBig Problems Author:Javier Bardem
“So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.” IfsKindNextChallengesLinesFiveFourWonderfulPeriodsSceneMouthsWorriedComing OutBack And ForthTrenches Author:Glenn Close
“The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly influence the entire meaning of a scene in so many ways was like a door opening to this amazing new world for me.” WorldWayNextLinesDoorsInfluenceChangedSceneNotesOpeningNew WorldRealisation Author:Steven Price
“Every day, there's that tension and the pressure. Each scene that you shoot is like getting to that next step, but there's still that mountain to climb. So it's not like one day is harder or one scene is harder. They are all equally challenging.” StillsNextChallengesStepsSceneOne DayMountainHarderPressureTensionClimbsNext Steps Author:Abdellatif Kechiche
“When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.” WayPersonsImportantHappensNextActorsCausesFiguresListeningScene Author:Alan Alda
“Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.” LittlesPersonsDifferentYoungNextActorsBitsActingExistenceWatchesExamplePositionSceneLittle BitIllusionShotsCamerasDepthFlatsStationsShrinksYoung Actors Author:Ang Lee
“There always should be something hanging unfinished before a scene ends so that there's a reason for going to the next scene.” ShouldEndsReasonNextSceneUnfinished Author:Michael Ondaatje
“I kind of build a novel the way marine polyps build a coral reef, it's millions and millions of little precarious bodies stacked on one another. And in my case, that's thousands of minutes I go through to get from one scene to the next and build it that way.” WayKindLittlesBodyNextMillionsCasesNovelMinutesSceneMarinePrecariousReefsCoral Reefs Author:Dean Koontz
“What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.” WayEndsCharacterHappensNextStuffGoes OnSceneAngryUnityThings HappenOne TimeEmbarrassedDisgusted Author:Janet Fitch
“I don't strive for balance. I just try to get through my to-do list, with my kids' homework being at the top of it, and then try to prepare for the next audition or whatever scene I'm shooting next. Balance.” TryingKidsNextBalanceSceneStriveListsShootingAuditionsHomework Author:Adina Porter
“When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.” PeopleIfsDoeMadeReasonGuyNextActorsLinesBehindsHalfMinutesSceneCamerasMathCompromiseRuinsDumbMake SensePretending Author:Casey Affleck
“Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, "Will you speak louder on the next take?" He'll say it as Howard Hughes: "I can't totally hear you. Why don't you speak up a little bit?" To kind of keep this rhythm going.” WantKindLittlesI CanNextSpeakBitsRolesSceneDirectorsLittle BitRhythmBeatty Author:Alden Ehrenreich
“Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.” KnowsGivingNightNextHouseHoursHalfWeekCarSceneBlueSurpriseScriptsRingsShootingNext TimeEnvelopesJasmine Author:Alden Ehrenreich
“In movies, you just see somebody close their eyes, and you go on to the next scene.” EyeNextGoes OnScene Author:Tig Notaro
“If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.” IfsKnowsWayWellsI CanDifferentCharacterHomeFilmNightNextForeverStageScenePerformancesMessMiserableDifferent WaysRuinedHookGoing To WorkBecause I CanAlrightArcs Author:Emma Stone
“I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.” ThinkingWantWritingTryingSometimesNextFourFiguresScenePagesBrandsNext DayGearsBrand New Author:Carolyn See
“There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.” TwoImportantUseBigsPurposeNextExampleSceneShotsRhythmNarrativeDramaticInternalsTransitionSequence Author:Frederick Wiseman