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Skull Quotes

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Skull Quotes

“THE TRUTH OF THE VERY SMALL When he is born, a baby's head is filled with the knowledge of space. The circumference of his skull is as infinite as the twirlings of the universe. His eyes look out with the blur of eyes which see for all species. He has remembered his own nature from past patterns. Now his heart beats through rock, sky, oceans. He feels the silence and the sound all around the world beneath his skin. We all hold somewhere deep within us the truth we accepted in innocence. The seas, the forests, the soil, the atmosphere, are all vital parts of an ongoing system. By harming any part of it we must ultimately harm ourselves. It is that simple.”

“The smell of bacon sizzling and the sound of eggs hitting hot pans were drowned out by the sonorous diner conversations happening all over the restaurant. Some were laughing at their own jokes in one of the center tables. A couple wordlessly broke up, using the diner napkins to dry their tears, sitting in one of the red with white upside down triangle detailed booths. There were also some teenagers arguing about the pronunciation of gif on the counter table, sitting on the red high chairs.”

“James turned the kitchen radio to a classic rock station as he started making the burger. Bon Jovi’s Livin’ On A Prayer played throughout the restaurant. “It’s our song, Vanessa!” Elijah exclaimed as he and Vanessa sang along to the chorus. When the song came to an end, a few of the customers clapped, zapping them out of the Bon Jovi daze. Vanessa took a bow, embracing the attention. Elijah shyly got back to work and brought a customer their meal.”

“Lloyd moved to the blackboard and wrote ‘Maneater, Hall and Oates’ at the bottom of a long list of songs and artists. The blackboard in the kitchen had once been installed as a way of communication for the house. It had turned into a list of Songs That You Would Never See In The Same Light Again. This was basically a list of songs that our serial killing landlord had blared at one time or another at top volume to cover the sound of his heavy electric power tools. It was a litany of 70’s and 80’s music. Blondie, Heart of Glass was on the list. So was Duran Duran’s ‘Hungry like the Wolf’. Sam had jokingly given him an Einstürzende Neubauten CD on the premise that his tools would blend right in to the music, and he’d returned it the next day, saying it was too suspicious-sounding and made him very nervous for some reason. The next weekend, we had gone right back to the 80’s with the Missing Persons and Dead or Alive. I tried not to think about why he was playing the music, but it was a little hard not to think about. The strange thumps sometimes suggested that he’d gotten a live one downstairs and was merrily bashing in their skull in the name of his psoriasis to the tune of ‘It’s My Life’ by Talk Talk. Other times I listened in horror as my favorite Thomas Dolby songs were accompanied by an annoying high-pitched buzzsaw whine that altered as if it had entered some sort of solid tissue. He never borrowed music from us again – he claimed our music was too disturbing and dark, and shunned our offerings of Ministry and Nine Inch Nails in favor of some­thing nice and happy by Abba. You’ve never had a restless night from imagining someone deboning a human body while blaring ‘Waterloo’ or ‘Fernando’. It’s not fun.”