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Corpse Quotes

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Corpse Quotes

“Aleks opened his mouth to reassure his friend when he heard something that chilled him to the bone. “Aleksander Aaron Arkadion! What in the hell is wrong with you! Why are you dragging that mangled corpse through town? You traumatized an entire first-grade class on a field trip to the town center,” Ma said, striding up to them pointing down to the body that Aleks still had a hold of. He looked down at the ankle he was holding. “Fuck my life.” Aleks looked behind his ma at the trail of blood heading back to the ice cream parlor. Liam laughed, his arms wrapped around his waist holding his sides.”

“When you die, you want to die a beautiful death. But what makes for a beautiful death is not always clear. To die without suffering, to die without causing trouble to others, to die leaving behind a beautiful corpse, to die looking good -- it's not clear what is meant by a beautiful death. Does a beautiful death refer to the way you die or the condition of your corpse after death? This distinction is not clear. And when you start to stretch the image of death to the method of how to dispose of your corpse as befitting your image of death, everything grows completely out of hand.”

“The exhilaration of battle was agreeable to him, but the sight of the dead, with their clay faces, blank eyes, and stiff bodies, which, when not unnaturally shrunken, were unnaturally swollen, had always intolerably affected him. He felt toward them a kind of reasonless antipathy which was something more than the physical and spiritual repugnance common to us all. Doubtless this feeling was due to his unusually acute sensibilities - his keen sense of the beautiful, which these hideous things outraged. Whatever may have been the cause, he could not look upon a dead body without a loathing which had in it an element of reselltment. What others have respected as the dignity of death had to him no existence - was altogether unthinkable. Death was a thing to be hated. It was not picturesque, it had no tender and solemn side - a dismal thing, hideous in all its manifestations and suggestions. Lieutenant Byring was a braver man than anybody knew, for nobody knew his horror of that which he was ever ready to encounter. ("A Tough Tussle")”

“Women’s bodies are so often under the purview of men, whether it’s our reproductive organs, our sexuality, our weight, our manner of dress. There is a freedom found in decomposition, a body rendered messy, chaotic, and wild. I relish this image when visualizing what will become of my future corpse.”

“What about the entrance to the cave?" she asked. He snapped his fingers as if he'd forgotten all about it. "Excellent point." Myrnin dragged the largest, heaviest table over, top down, and covered up with it the hole he'd made in the floor. Then he took handfuls of broken glass and mounded it up on all sides. Myrnin artistically sprinkled some more broken glass. "There," Myrnin said, and backed off to the stairs again. "What do you think?" "Fabulous." She sighed. "Brilliant job of camouflage." "Normally, I'd add a corpse," he said, "just to keep people at bay. But that might be good enough.”

“The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!”

“While Jonathan lay on his deathbed in his parents' house, his bluish red rope burns and strangulation bruises covered with a fresh garland of carnations, purple and aromatic, from the garden, and his corpse had turned wax-yellow and his fingernails blue, his mother, in a black dress, kept vigil through the night, near the two candles that lit up his face to the left and right of the sofa, never once closing her eyes.”

“Nor is this uncommon, as Mervyn will tell you if you ask him. He has seen all of it before many times, including the curious pull that a corpse exerts, drawing people towards it. By tomorrow already this will have changed, the body will be long gone and its permenent absence covered over with plans, arrangements, reiminiscences and time. Yes, already. The disappearance begins immediately and in a certain sense never ends. But in the mean time there is the body, the horrible meaty fact of it [..] Fortunately she isn't heavy, the sickness hollowed her out, and it's easy to get her down the stairs and around the challenging angle at the bottom and along the passage to the kitchen.”

“I crawled over the mountain of death, Watching the corpses roll down like the stones. Searching for the light which everyone always spoke of. I fought the wolves and also the death, and knocked the door, which already had a thousand handprints, soaked with blood. The door opened finally and I saw the light, which hit me in the heart and pushed me down the steep. I fell into the never ending pit, watching others crawl up the mountain in the search of light.”

“I saw that pain and disease existed and at the same time that they were void of sense and meaning. Among the men of the rabble I had become a creature of a strange, unknown race, so much so that they had forgotten that I had once been part of their world. I had the dreadful sensation that I was not really alive or wholly dead. I was a living corpse, unrelated to the world of living people and at the same time deprived of the oblivion and peace of death.”