“Unless you're fond of hollering you don't make great conversations on a running cycle. Instead you spend your time being aware of things and meditating on them. On sights and sounds, on the mood of the weather and things remembered, on the machine and the countryside you're in, thinking about things at great leisure and length without being hurried and without feeling you're losing time.” ThinkingFeelingsRunningSoundConversationLosingMachinesSightMoodWeatherRememberedCyclesLengthLeisureCountrysideMeditatingSight And SoundLosing Time Book:Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values Source: Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values
“My movies are film-paintings - moving portraits captured on celluloid. I'll layer that with sound to create a unique mood -- like if the Mona Lisa opened her mouth, and there would be a wind, and she'd turn back and smile. It would be strange and beautiful.” IfsWould BeBeautifulFilmMovingTurnsSoundStrangePaintingWindUniqueMouthsMoodLayersPortraitsCapturedMona LisaCelluloid Author:David Lynch
“Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.” ArtStoriesSchoolFilmUsedSoundDirectorsApproachConsciousInspiredMy FavoriteMoodBackgroundsPainterNovelistsStemUrbanArt SchoolStanleyHitchcockWilderMotifsBergman Author:David Lynch
“When I have just sat down and tried to write the lyrics of a song, usually about half of it sounds like bullshit. I just have to go away from something and come back to it again later. I do a lot of editing and switching around and putting little pieces together to get the right mood and personality, and it takes me forever to get a song finished.” WritingLittlesTogetherSongSoundHalfForeverPiecesPersonalityDown AndFinishedMoodSatGoing AwayTake MeBullshitEditingSwitching Author:Matt Berninger
“There are accents in the eye which are not on the tongue, and more tales come from pale lips than can enter an ear. It is both the grandeur and the pain of the remoter moods that they avoid the pathway of sound.” EyePainSoundEarsLipsTongueMoodTalesPaleAccentsPathwaysGrandeur Book:Delphi Complete Works of Thomas Hardy (Illustrated) Source: Delphi Complete Works of Thomas Hardy (Illustrated)
“When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes.” WritingLooksIdeasMomentsCharacterStoriesMovingStuffSoundRoomsClothesMoodCatchingMaking Up Author:David Lynch
“I didn't know anything about film when I first started - I was a painter - but I [always] felt that sound was just as important as the picture. The sound, picture, and ideas have to marry. If an idea carries with it a mood, sound is critical to making that mood.” IfsKnowsFirstsImportantIdeasFilmFeltSoundCriticalMoodPainterCarrie Author:David Lynch