“I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story.” MenLittlesStoriesAgeSpaceHalfBreakCuttingWrittenFootballSpeechPaperSixPagesSticksSevenEdgesEightSquaresBubblesSheetsSpyFolds Author:Ian Rankin
“Above all, good leaders are open. They go up, down, and around their organization to reach people. They don't stick to the established channels. They're informal. They're straight with people. They make a religion out of being accessible. They never get bored telling their story.” PeopleStoriesReligionLeaderOrganizationDown AndSticksBoredGood Leader Author:Jack Welch
“I think kids abandon stories all the time. They start stories and get frustrated or get a different, better idea. I think that it is more worthwhile to stick with a story and revise it and try to finish it than abandon ship. Revisions, for any writer, are the name of the game.” ThinkingTryingIdeasDifferentStoriesKidsGamesNamesSticksShipsAbandonWorthwhileFrustratedRevision Author:Gail Carson Levine
“While the romance genre has expanded so much over the years, in an odd way it's also narrowed, with too many people trying to stick stories into tight, well-defined marketing niches. It can, admittedly, be a tricky balancing act, but I believe the key is to be able to step back and take a long hard look at what you do well, what makes your work different from other writers, what feels the most natural to you when you're writing.” PeopleWayFeelsWritingTryingYearsBelieveWellsLooksLongDifferentHardStoriesAbleRomanceI BelieveNaturalStepsKeysSticksMarketingDefinedGenreOddTrickyNicheBalancing Act Author:JoAnn Ross
“When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.” ThinkingNeedsWritingKindImportantMomentsFactsStoriesHappensOrderMy OwnFictionAcceptingEventsSticksScriptsAllowingRealisingScreenwritingCinematicImportant Moments Author:Lena Dunham
“In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.” WayWantStoriesMightSceneSticksScriptsCrowdsSpontaneousBe Spontaneous Author:Chris Tucker
“Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up with dialogue as lovely as these writers do, anyway.” ThinkingMenNeedsWritingStoriesDifficultRoomsMadSticksScriptsCome UpLovelyDialogueAdsPreciseMad Men Author:Rich Sommer
“As anyone who has received or dispensed psychotherapy knows, it's a profession whose mainspring is love. Nearly everyone who visits a therapist has a love disorder of one sort or another, and each has a story to tell - of love lost or denied, love twisted or betrayed, love perverted or shackled to violence. Broken attachments litter the office floors like pick-up sticks. People appear with frayed seams and spilling pockets.” PeopleKnowsStoriesLostPsychologyViolenceBrokenOfficePicksSticksProfessionPocketsAttachmentDisorderDeniedLost LoveBetrayedTwistedPsychiatryTherapistsPsychotherapySpillingBetrayed Love Book:A Natural History of Love: Author of the National Bestseller A Natural History of the Senses Source: A Natural History of Love: Author of the National Bestseller A Natural History of the Senses