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Stories Quotes

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Stories Quotes

“My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story.”

“The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.”

“As a Black woman filmmaker I feel that’s my job: visibility. And my preference within that job is Black subjectivity. Meaning I’m interested in the lives of Black folk as the subject. Not the predicate, not the tangent.[These stories] deserve to be told. Not as sociology, not as spectacle, not as a singular event that happens every so often, but regularly and purposefully as truth and as art on an ongoing basis, as do the stories of all the women you love.”

“I try to keep deep love out of my stories because, once that particular subject comes up, it is almost impossible to talk about anything else. Readers don't want to hear about anything else. They go gaga about love. If a lover in a story wins his true love, that's the end of the tale, even if World War III is about to begin, and the sky is black with flying saucers.”

“For those that have said I seemed dickish to some of the nuttier guests on Joe Rogan Questions Everything - guilty as charged. As the season wore on I lost my patience with some of those folks unfortunately. I think I overdosed on ridiculous/likely fake stories. I certainly learned a lot about the kind of people that invest a large portion of their life on fringe subjects - they're all white. I think there's something interesting about the subjects, (UFOS, etc) but the study of them has often been overrun by silly thinking.”

“A story demanded to be written, and that is why I have not answered your letter before: a wrong-headed story, that would come blundering like a moth on my window, and stare in with small red eyes, and I the last writer in the world to manage such a subject. One should have more self-control. One should be able to say, Go away. You have come to the wrong inkstand, there is nothing for you here. But I am so weakminded that I cannot even say, Come next week.”

“One interesting feature of criticism is seen in the ease with which it discovers what Addison called the specific quality of an author. In Livy, it will be the manner of telling the story; in Sallust, personal identification with the character; in Tacitus, the analysis of the deed into its motive. If the same test be applied to painters, it will find the prominent faculty of Correggio to be manifested in harmony of effect; of Poussin, in the sentiment of his landscapes; and of Raffaelle, in the general comprehension of his subject.”