“Sometimes there's a disjoint between what works on the page and what works with visual story telling.” SometimesStoriesPagesVisuals Author:Duncan Jones
“It's always a challenge bringing a great story classic to the screen. Giving visual form to the characters and places that have only existed in the imagination. But it's the kind of challenge we enjoy.” GivingKindCharacterStoriesFormEnjoyImaginationChallengesScreensClassicVisuals Author:Walt Disney
“There are so many films now where you know the story is a supporting role to the visual effects.” KnowsStoriesFilmRolesEffectsVisualsSupporting RolesVisual Effects Author:Ricky Gervais
“What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.” KnowsFeelsTryingHeartKindStoriesFeelingsJobsFormSufferingGoalEmotionFieldsParticularPrideCircumstancesCommunicatePrimariesEvolveVisualsEmphasisMasculineCloseness Author:Antonella Gambotto-Burke
“In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.” PeopleLooksStoriesFeelingsHappensPastImaginationMemoriesMy OwnFireHappenedAirStageEventsActivityEvidenceEmptyPerformancesTheaterPhotographerPhotographAtmosphereVisualsAnticipationMy ImaginationAnalogiesPersonal ExperiencesFingerprintsEmpty Stage Author:Michael Kenna
“Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games.” KnowsWorldNeedsLooksStoriesBigsSeemsFightingGamesTermCommonOfficeSellsBoxesVideoVisualsMentalityToysLowestRobotsSuperheroBox OfficeCommon DenominatorLowest Common DenominatorBox Office Success Author:Terence Winter
“When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing — she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision.” PeopleGivingFeelsWritingBookDifferentStoriesEasyResponsibilityVisionRichCreaturesDrawsMoodSettingSettingsAtmosphereVisualsDescriptionFeels RightIllustrators Author:Mary GrandPre
“It seems far simpler to go ahead and say that the epic is a fantastic myth, that happens to be true of the material Universe, that other myths are true in terms of their cultural meaning, and that there's absolutely no problem with holding more than one story, just as there's no problem with viewing the sunset in terms of planetary rotation and spectra and nuclear fusions one moment and as visual splendor the next.” MomentsStoriesProblemSeemsHappensUniverseNextTermMaterialsMythNuclearBeing TrueFantasticVisualsSunsetEpicNo ProblemSplendorFusionRotationNuclear Fusion Author:Ursula Goodenough
“I really don't want to produce artwork that does not have meaning beyond simple decorative values. I want to use public space to create a public voice, and a public consciousness about the presence of people who are, in fact, the majority of the population but who are not represented in any visual way. By telling their stories we are giving voice to the voiceless and visualizing the whole of the American story.” PeopleWayWantGivingDoeWholeFactsStoriesUseValuesVoiceSimpleSpaceConsciousnessProduceMajorityPopulationVisualsArtworkVoicelessVisualizingGiving Voice Author:Judy Baca
“It's a lot more than clicking the shutter...it's the ideas, it's the visual voice, it's the telling the story, it's kind of going beyond that initial thing that just means you happened to be there at the right time.” KindMeanIdeasStoriesVoiceHappenedVisualsRight TimeInitialsShutters Author:Ron Haviv