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Talent Quotes

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Talent Quotes

“Feminism … I think the simplest explanation, and one that captures the idea, is a song that Marlo Thomas sang, 'Free to be You and Me.' Free to be, if you were a girl—doctor, lawyer, Indian chief. Anything you want to be. And if you’re a boy, and you like teaching, you like nursing, you would like to have a doll, that’s OK too. That notion that we should each be free to develop our own talents, whatever they may be, and not be held back by artificial barriers—manmade barriers, certainly not heaven sent.”

“It's useful to know how much society's holding you back. My mother would talk about how she was told by the head of her art school that she was the best painter, but that she wouldn't get the biggest prize because she would waste her talent by having children. I think we have to get honest with girls about how they can expect the world to block them, and we have to prepare girls, and ourselves, to break through those blocks.”

“Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding ofhuman behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.”

“A girl in the middle years also becomes more centered in her soul-life, the feelings of her heart, and she needs our guidance to learn to express her uniqueness, those small seeds that will someday sprout into gifts, talents, and resources.”

“I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles.”

“The most obvious ones inspiring me are probably women in political life. There are also many women in artistic endeavors, but if they're painters, you don't necessarily see them, or if they're actors, you see the role they're playing. In political life, you see women of enormous courage and smarts and humor, and that releases the talent, especially in little girls who are watching.”

“Too often little attention is paid to individual talent. instead, education goes on dividing people according to their sex, and putting them in little feminine or masculine pigeonholes ... Girls are shielded and sometimes helped so much that they lose initiative and begin to believe the signs 'Girls don't' and 'Girls can't' which mark their paths... Consequently, it seems almost necessary to evolve different methods of instruction for them when they later take up the same subjects.”

“Once upon a time there was a girl who discovered that if she played a certain tune on a jade flute, she could summon up jade gnomes, a peculiar, harmless, but rather creepy looking spirit of the underground. The fact is that many of us have talents like this, but generally never discover them due to lack of opportunity, since one can go one's entire life without playing a jade flute, or discovering that one can speak the language of ground sloths, or turning fruitcake into solid tungsten by singing Sinatra tunes to it under a quarter moon.”

“I'm restless. My whole generation is restless. I'm sick of a system where the richest man gets the most beautiful girl if he wants her, where the artist without an income has to sell his talents to a button manufacturer. Even if I had no talents I'd not be content to work ten years, condemned either to celibacy or a furtive indulgence, to give some man's son an automobile.”

“I remember I thought I should become a doctor, even though I had no talent for science whatsoever. Then of course, until I was about sixteen, I thought I might have a shot as a major league baseball player. But once I hit my full adolescence I lost all interest in that. I discovered, in rapid succession, books, girls, alcohol and tobacco, and I've never turned back. Those are the four things I'm most interested in.”

“Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.”

“Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.”

“My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.”