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Theater Quotes

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Theater Quotes

“I was always moved by all of the music. As a young man, Duke Ellington and Lionel Hampton, Count Basie and all these great musicians would come through our town of Memphis. There wasn't adequate hotels, so these musicians - the lady who ran the theater knew my mother, who had a large house, and many of them would stay with us. So that was another great blessing, so I'm always around these great geniuses, and to realize their humanity is such a touching thing.”

“I've been acting since I was a little kid. It was my escape from my day which had to do with a father leaving, and a mother not being home, and her struggling and doing her best and all that. But it wasn't fun. I would go into theater class. If she were a stay-at-home mom, I wouldn't have that discomfort inside that kept me pushing.”

“My fourth mother, my godmother, she passed away a couple years ago - her name was Gwen. She was the theater director over at the gym where I grew up and learned about all those awesome things I told you about already. She was the one who taught me terms like "upstage" and "downstage," all those technical things about the art of what I do - how to breathe what I see, how to move. They were all her tactics, not anything learned or given to me through a theory, but rather by her natural abilities.”

“I grew up in Houston, and I remember we had separate drinking fountains, and black people sat in the balcony of the theater... We had an African-American housekeeper growing up who was really like my second mother. I thought it was silly - hatred just because of the color of somebody's skin.”

“James Wilkie is so conscious of the time we spend together. I try to be home to tuck him in at least four nights a week, and if I'm not, he's not letting me get away with anything. The other night I was sitting with him on the steps before Matthew and I went out to the theater, and he looked at me and said, `Mama, this has got to stop. Go upstairs and take that dress off.'”

“The best of our theater is standing on tiptoe, striving to see over the shoulders of father and mother. The worst is exploiting and wallowing in the self-pity of adolescence and obsessive keyhole sexuality. The way out, as the poet says, is always through.”