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“No true work since the world began was ever wasted; no true life since the world began has ever failed. Oh, understand those two perverted word, failure and success and measure them by the eternal, not the earthly, standard. When after thirty obscure, toilsome, unrecorded years in the shop of the village carpenter, one came forth to be pre-eminently the man of sorrows, to wander from city to city in homeless labors, and to expire in lonely agony upon the shameful cross -- was that a failure.”

“If you seek patience, you will find no better example than the cross. Great patience occurs in two ways: either when one patiently suffers much, or when one suffers things which one is able to avoid and yet does not avoid. Christ endured much on the cross, and did so patiently, because when he suffered he did not threaten; he was led like a sheep to the slaughter and he did not open his mouth.”

“You can't cross a chasm in two small jumps.”

“I will make an attempt to attain freedom, the youthful soul says to itself; and is it to be hindered in this by the fact that two nations happen to hate and fight one another, or that two continents are separated by an ocean, or that all around it a religion is taught with did not yet exist a couple of thousand years ago. All that is not you, it says to itself.”

“A lot of my books have been that way. My World War II thriller about Sarin gas [Black Cross] was published two months before the Sarin attack in the Japanese subway. There are very weird coincidences out there. And I do have one surefire plot I have not and probably never will write, because of my fear someone will carry it out.”

“Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.”