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“But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.”

“The nobility of our calling will always be rooted in two commitments difficult to observe: refusal to lie about what we know, and resistance to oppression.”

“There’s an old writing rule that says ‘Don’t have two character names start with the same letter’, but I knew at the beginning that I was going to have more than 26 characters, so I was in trouble there. Ultimately it comes down to what sounds right. And I struggle with that, finding the right name for a character. If I can’t find the right name I don’t know who the character is and I can’t proceed.”

“Back in the days when American billboard advertising was in flower [said Hemingway], there were two slogans that I always rated above all others: the old Cremo Cigar ad that proclaimed, Spit Is a Horrid Word-but Worse on the end of Your Cigar, and Drink Schlitz in Brown Bottles and Avoid that Skunk Taste. You don't get creative writing like that any more.”

“The Simonian system can be extracted from the writings of Hippolytus. The cosmos begins with the one root, which is unfathomable Silence, pre-existent, limitless power, existing in singleness. It bestirs itself and assumes a determinate aspect by turning into Thinking (Nous, i.e. Mind), from which comes forth the Thought (Epinoia). As soon as thought is born out of the thinking silence, suddenly one has become two.”

“These others -- the overwhelming majority of Iraq's people -- have repeatedly given every indication of valuing their newfound freedom: voting in two elections at the risk of their lives, preparing for a third, writing and ratifying a constitution granting more freedoms than exist in any country in the entire Arab Middle East. The secret is out, There is something decent unfolding in Iraq. It's unfolding in the shadow of a terrible insurgency, but a society is finding its way to constitutional politics.”

“A lot of my books have been that way. My World War II thriller about Sarin gas [Black Cross] was published two months before the Sarin attack in the Japanese subway. There are very weird coincidences out there. And I do have one surefire plot I have not and probably never will write, because of my fear someone will carry it out.”

“When I'm writing for a book, it's much more reflective process. I have certain things that may not translate well to the stage, but, when they're on the page, people can really get into them. My first two books were aiming to be funnier, but the third was more about deep exploration. Things about being a parent and growing older that I thought would be perfect for a book.”

“Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.”

“It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.”

“The anthology meets with two different kinds of reactions in living poets. They will either write toward the anthology or away from it. Anti-anthology poets often overreach themselves, inflicting protective distortions on their work - as parents in old Central Europe often deliberately maimed their sons to save them from compulsory military service.”

“Christina Baker Kline writes exquisitely about two unlikely friends—one, a 91-year-old survivor of the grinding poverty of rural Ireland, immigrant New York and the hardscrabble Midwest; and the other, a casualty of a string of foster homes—each struggling to transcend a past of isolation and hardship. Orphan Train will hold you in its grip as their fascinating tales unfold.”