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Stephen Fry

Stephen Fry Quotes

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Famous Stephen Fry Quotes

“У меня имеется теория, которая в последнее время все вертится и вертится в моей голове, – согласно этой теории большая часть бед нашего глупого и упоительного мира проистекает из того, что мы то и дело извиняемся за то, за что извиняться ничуть не следует, а вот за то, за что следует, извиняться считаем не обязательным.”

“К примеру, ничто из нижеследующего не является постыдным и требующим извинений, несмотря на наши самоубийственные попытки убедить себя в обратном. • Обладать прямой кишкой, уретрой, мочевым пузырем и всем, что из этого проистекает. • Плакать. • Обнаружить, что нечто или некто, принадлежащие к какому бы то ни было полу, возрасту или животному виду, обладают сексуальной привлекательностью. • Обнаружить, что нечто или некто, принадлежащие к какому бы то ни было полу, возрасту или животному виду, не обладают сексуальной привлекательностью. • Засовывать что-либо в рот, в зад или во влагалище на предмет получения удовольствия. • Мастурбировать столько, сколько душа просит. Или не мастурбировать. • Сквернословить. • Проникаться, безотносительно к деторождению, сексуальным влечением к каким-либо объектам, предметам или частям тела. • Пукать. • Быть сексуально непривлекательным. • Любить. • Глотать разрешенные и не разрешенные законом наркотические средства. • Принюхиваться к своим и чужим телесным выделениям. • Ковырять в носу.”

“Боюсь, однако, что я потратил слишком мало времени, извиняясь или испытывая стыд за то, что действительно требует искренних просьб о прощении и открытого раскаяния, а именно за: • Неспособность поставить себя на место другого человека. • Наплевательское отношение к собственной жизни. • Нечестность по отношению к себе и к другим. • Пренебрежительное нежелание отвечать на письма и телефонные звонки. • Неумение связывать те или иные вещи с их происхождением и нежелание думать о таковом. • Умозаключения, ни на каких фактах не основанные. • Использование своего влияния на других для достижения собственных целей. • Причинение боли.”

“Порою я и сам диву даюсь: зачем я трачу пропасть сил на лицемерие и притворство, когда столь многие из моих друзей, знакомых, врагов (если у меня есть враги) и людей полностью посторонних видят насквозь каждое мое побуждение, мысль и чувство. А затем начинаю дивиться: какой толк в моей откровенности, попытках поделиться опытом и эмоциональном чистосердечии, если столь многие продолжают истолковывать меня до такой степени неверно, что считают человеком уравновешенным, упорядоченным, более чем рациональным – хозяином своей судьбы и капитаном своей души.”

“Если вы проводите жизнь, сидя на вершине нравственного холма, то ничего, кроме грязи внизу, не видите. А если, подобно мне, живете в самой грязи, то перед вами открывается обалденно хороший вид на чистое синее небо и чистые зеленые холмы вокруг. Не существует людей более злобных, чем носители нравственной миссии, как и не существует людей более чистых душой, чем те, кто погряз в пороке.”

“They had been there. I had seen my mother’s anxious face, desperate to catch my eye and give me a warm smile. I had tried to smile back, but I had not known how. That old curse again. How to smile. If I smiled too broadly it might look like triumphalism; if I smiled too weakly it might look like a feeble bid for sympathy. If I smiled somewhere in between it would, I knew, look, as always, like plain smugness. Somehow I managed to bare my teeth in a manner that expressed, I hope, sorrow, gratitude, determination, shame, remorse and resolve.”

“The heroes cleansed our world of chthonic terrors -- earthborn monsters that endangered mankind and threatened to choke the rise of civilisation. So long as dragons, giants, centaurs and mutant beasts infested the air, earth and seas we could never spread out with confidence and transform the wild world into a place of safety for humanity. In time, even the benevolent minor deities would find themselves elbowed out by the burgeoning and newly confident human race. The nymphs, dryads, fauns, satyrs and sprites of the mountains, streams, meadows and oceans could not compete with our need and greed for land to quarry, farm and build upon. The rise of a spirit of rational enquiry and scientific understanding pushed the immortals further from us. The world was being reshaped as a home fit for mortal beings only. Today, of course, some of the rarer and more vulnerable mortal creatures that have shared the world with us are undergoing the same threats to their natural territories that cuased the end of the nymphs and woodland spirits. Habitat loss and species extinction have all happened before. The days of the gods themselves were numbered too. Prometheus's gift of fire, as Zeus had feared, would one day allow us to do even without the Olympians.”

“Aside from the encounter with the Sphinx, there is little in Oedipus to connect him to the common run of Greek heroic figures. He strikes us today as a modern tragic hero and political animal; it is hard to picture him shaking hands with Heracles or joining the crew of the Argo. many scholars and thinkers, most notably Friedrich Nietzsche in his book The Birth of Tragedy, have seen in Oedipus a character who works out on stage the tension in Athenians (and all of us) between the reasoning, mathematically literate citizen and the transgressive blood criminal; between the thinking and the instinctual being; between the superego and the id; between the Apollonian and the Dionysian impulses that contend within us. Oedipus is a detective who employs all the fields of enquiry of which the Athenians were so proud -- logic, numbers, rhetoric, order and discovery -- only to reveal a truth that is disordered, shameful, transgressive and bestial.”

“Heracles was the strongest man who ever lived. No human, and almost no immortal creature, ever subdued him physically. With uncomplaining patience he bore the trials and catastrophes that were heaped upon him in his turbulent lifetime. With his strength came, as we have seen, a clumsiness which, allied to his apocalyptic bursts of temper, could cause death or injury to anyone who got in the way. Where others were cunning and clever, he was direct and simple. Where they planned ahead he blundered in, swinging his club and roaring like a bull. Mostly these shortcomings were more endearing than alienating. He was not, as the duping Atlas and the manipulation of Hades showed, entirely without that quality of sense, gumption and practical imagination that the Greeks called 'nous'. He possessed saving graces that more than made up for his exasperating faults. His sympathy for others and willingness to help those in distress was bottomless, as were the sorrow and shame that overcame him when he made mistakes and people got hurt. He proved himself prepared to sacrifice his own happiness for years at a stretch in order to make amends for the (usually unintentional) harm he caused. His childishness, therefore, was offset by a childlike lack of guile or pretence as well as a quality that is often overlooked when we catalogue the virtues: fortitude -the capacity to endure without complaint. For all his life he was persecuted, plagued and tormented by a cruel, malicious and remorseless deity pursuing a vendetta which punished him for a crime for which he could be in no way held responsible- his birth. No labour was more Heraclean than the labour of being Heracles. In his uncomplaining life of pain and persistence, in his compassion and desire to do the right thing, he showed, as the American classicist and mythographer Edith Hamilton put it, 'greatness of soul'. Heracles may not have possessed the pert agility and charm of Perseus and Bellerophon, the intellect of Oedipus, the talent for leadership of Jason or the wit and imagination of Theseus, but he had a feeling heart that was stronger and warmer than any of theirs.”

“But in this story, as in so many others, what we really discern is the deceptive, ambiguous and giddy riddle of violence, passion, poetry and symbolism that lies at the heart of Greek myth and refuses to be solved. An algebra too unstable properly to be computed, it is human-shaped and god-shaped, not pure and mathematical. It is fun trying to interpret such symbols and narrative turns, but the substitutions don't quite work and the answers yielded are usually no clearer than those of an equivocating oracle.”

“For many years Minos has been lucky to have in his court the most gifted inventor, the most skilled artificer outside of the Olympian forges of Hephaestus. His name is Daedalus and he is capable of fashioning moving objects out of metal, bronze, wood, ivory and gemstones. He has mastered the art of tightly coiling leaves of steel into powerful springs, which control wheels and chains to form intricate and marvellous mechanisms that mark the passage of the hours with great precision and accuracy, or control the levels of watercourses. There is nothing this cunning man cannot contrive in his workshop. There are moving statues there, men and women animated by his skill, boxes that play music and devices that can awaken him in the morning. Even if only half the stories of what Daedalus can achieve are true then you can be certain that no more cunning and clever an inventor, architect and craftsman has ever walked this earth.”

“...we do not lend the hearth quite the importance that our ancestors did, Greek or otherwise. Yet, even for us, the word stands for something more than just a fireplace. We speak of 'hearth and home'. The word 'hearth' shares its ancestry with 'heart', just as the modern Greek for 'hearth' is kardia, which also means 'heart'. In Ancient Greece the wider concept of hearth and home was expressed by the oikos, which lives on for us today in economics and ecology. The Latin for hearth is focus - with speaks for itself. It is a strange and wonderful thing that out of the words for fireplace we have spun "cardiologist', 'deep focus' and 'eco-warrior'. The essential meaning of centrality that connects them also reveals the great significance of the hearth to the Greeks and Romans, and consequently the importance of Hestia, its presiding deity.”

“He knew he could never jingle change in his pocket or park his car like a confident adult, he was the Adrian he had always been, casting a guilty look over a furtive shoulder, living in eternal dread of a grown-up striding forward to clip his ear. But there again, when he sipped at the whiskey his eyes failed to water and his throat forgot to burn. The body shamelessly welcomed what once it would have rejected. At breakfast he demanded not Ricicles and chocolate spread, but coffee and unbuttered toast. And if the coffee was sugared he leapt from it like a colt from an electric fence. He ate the crust and left the filling, guzzled the olives and spurned the cherries. Yet inside he remained the same Adrian who fought down the urge to stand and shout 'Bullocks' during church services, smelt his own farts and wasted hours skimming through National Geographic on the off-chance of seeing a few naked bodies.”

“Music is everything and nothing. It is useless and no limit can be set on its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.”

“A fine statue of a naked Theseus stands proudly today in Athens' central place of assembly, the city's hub, Syntagma Square. Even today he is a focus of Athenian identity and pride. The ship he brought back from his adventures in the Labyrinth of Crete remained moored in the harbour at Piraeus, a visitor attraction right up to the days of historical ancient Athens, the time of Socrates and Aristotle. Its continuous presence there for such a long time caused the Ship of Theseus to become a subject of intriguing philosophical speculation. Over hundreds of years, its rigging, its planks, its hull, deck, keel, prow, stern and all its timbers had been replaced so that not one atom of the original remained. Could one call it the same ship? Am I the same person I was fifty years ago? Every molecule and cell of my body has been replaced many times over.”

“His heart lifted to a state approaching something like happiness, however, when he heard, unexpectedly, the sound of Rhea's low sweet voice humming gently to herself as she came up the slope towards the mountaintop. Loveliest sister and dearest wife! It was quite natural that she had been a little upset by his consumption of their six children, but she surely understood that he had had no choice. She was a Titan, she knew about duty and destiny.”

“I picture myself at the surface of an ocean: the course of my life is played out as a descent to the sea bed. As I drop down I clutch at and try to reach blurred but alluring images representing the vocation of writer, actor, comedian, film director, politician or academic, but they all writhe and ripple flirtatiously out of reach, or rather it would be truer to say that I am afraid to leap forward and hug one of them to me. By being afraid to commit to one I commit to none and arrive at the bottom empty and unfulfilled. This is a self-aggrandizing, pitiful and absurd fantasy of regret, I know, but it is a frequent one. I close whatever book I have been reading in bed, and that same film plays out again and again in my mind before I sleep.”

“Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '. Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice. I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about.”

“Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.”