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“Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.”

“There’s an old writing rule that says ‘Don’t have two character names start with the same letter’, but I knew at the beginning that I was going to have more than 26 characters, so I was in trouble there. Ultimately it comes down to what sounds right. And I struggle with that, finding the right name for a character. If I can’t find the right name I don’t know who the character is and I can’t proceed.”

“We ought to be very cautious in the prosecution of magic and heresy. The attempt to put down these two crimes may be extremely perilous to liberty, and may be the origin of a number of petty acts of tyranny if the legislator be not on his guard; for as such an accusation does not bear directly on the overt acts of a citizen, but refers to the idea we entertain of his character.”

“If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.”

“Both matter and radiation possess a remarkable duality of character, as they sometimes exhibit the properties of waves, at other times those of particles. Now it is obvious that a thing cannot be a form of wave motion and composed of particles at the same time - the two concepts are too different”

“The character of greatness must be measured in two ways, else the measurement is flawed. First, and by far most popular of all, is by one's ability to succeed in times of trial where others may fail. But of no less importance, and perhaps foundational to any form of greatness, is one's willingness to start over in spite of failure, when success seems farthest away.”

“The Greek word euphuia, a finely tempered nature, gives exactly the notion of perfection as culture brings us to perceive it; a harmonious perfection, a perfection in which the characters of beauty and intelligence are both present, which unites "the two noblest of things" - as Swift most happily calls them in his Battle of the Books, "the two noblest of things, sweetness and light."”

“The wide difference between the two characters, the slowness and want of energy of the Spartans as contrasted with the dash and enterprise of their opponents, proved of the greatest service, especially to a maritime empire like Athens. Indeed this was shown by the Syracusans, who were most like the Athenians in character, and also most successful in combating them.”

“Two women seldom grow intimate but at the expense of a third person; they make friendships as kings of old made leagues, who sacrificed some poor animal betwixt them, and commenced strict allies; so the ladies, after they have pulled some character to pieces, are from henceforth inviolable friends.”

“The [travel] writer, looking back at the journey from a distance of a year or two (or three), is a different character from the hapless character who undertook the trip: wise after the event, with the leisure to tease out meanings from the experience that the distracted traveler never had, and often impatient with his alter ego's blinkered and unsatisfactory version of things.”

“In every human being one or the other of these two instincts is predominant: the active or positive instinct to offer hospitality, the negative or passive instinct to accept it. And either of these instincts is so significant of character that one might as well say that mankind is divisible into two great classes: hosts and guests.”

“There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.”

“From the time of the North Briton of the unprincipled Wilkes , a notion has been entertained that the moral spine in Scotland is more flexible than in England. The truth however is, that an elementary difference exists in the public feelings of the two nations quite as great as in the idioms of their respective dialects. The English are a justice-loving people, according to charter and statute; the Scotch are a wrong-resenting race, according to right and feeling: and the character of liberty among them takes its aspect from that peculiarity.”