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Barbara Hepworth

Barbara Hepworth Books

Artist

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“Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality - it resists and makes demands.”

ImportantIdeasSeemsAbilityMaterialsIntegrityDemandOriginalsImportant ThingsIntuitionGuidesCompromiseRealizationGapsConceptionVitalitySculptorsOriginal IdeasCarving
Author:Barbara Hepworth
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“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.”

FeelsFirstsHumansImportantCountryWholeLightInspirationLastsMovingFormLinesCitiesQualityGreaterSeaLandFiguresLandscapeColourHorizontalFirsts And LastsMoving PartsHorizontal Lines
Author:Barbara Hepworth
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“Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.”

MenHumansFactsBodyIndividualHuman BeingsCenturyFieldsMaterialsExcitingSizeWideDrawingSymbolsLandscapePrimitiveExtensionsSculptureObservingTwentieth CenturyFacetsCalligraphyPrimitive ManTots
Author:Barbara Hepworth
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“All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.”

MindArtFeelingsHandsEyeMovingFormFatherLeftMemoriesSeeingCarShapesWestDefinedHillsLandscapeSensationsTouchingRidingSculptureHollowTextureThrustSculptors
Book:A Pictorial Autobiography
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