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Donald Hall

Donald Hall Books

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WRITING WELL

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Life Work

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The Old Life

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“Jane has been dead for more than two decades. Earlier this year I grieved for her in a way I had never grieved before. At eighty-six, I was sick and thought I was dying. Twenty and twenty-one years ago, every day of her dying for eighteen months, I stayed by her side. It was miserable that Jane should die so young, and it was redemptive that I could be with her every hour of every day. Last February I grieved again, this time that she would not sit over me as I died.”

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Book:A Carnival Of Losses: Notes Nearing Ninety
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“April is Poetry Month, the Academy of American Poets tells us. In 2013 there were 7,427 poetry readings in April, many on a Thursday. For anyone born in 1928 who pays attention to poetry, the numerousness is astonishing. In April of 1948, there were 15 readings in the United States, 12 by Robert Frost. So I claim. The figures are imaginary, but you get the point.”

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Book:Essays After Eighty
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“It is sensible of me to be aware that I will die one of these days. I will not pass away. Every day millions of people pass away—in obituaries, death notices, cards of consolation, e-mails to the corpse’s friends—but people don’t die. Sometimes they rest in peace, quit this world, go the way of all flesh, depart, give up the ghost, breathe a last breath, join their dear ones in heaven, meet their Maker, ascend to a better place, succumb surrounded by family, return to the Lord, go home, cross over, or leave this world. Whatever the fatuous phrase, death usually happens peacefully (asleep) or after a courageous struggle (cancer). Sometimes women lose their husbands. (Where the hell did I put him?) Some expressions are less common in print: push up the daisies, kick the bucket, croak, buy the farm, cash out. All euphemisms conceal how we gasp and choke turning blue.”

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Book:Essays After Eighty
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“[O]ver the years I travelled to another universe. However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life. They have green skin, with two heads that sprout antennae. They can be pleasant, they can be annoying--in the supermarket, these old ladies won't get out of my way--but most important they are permanently other. When we turn eighty, we understand that we are extraterrestrial. If we forget for a moment that we are old, we are reminded when we try to stand up, or when we encounter someone young, who appears to observe green skin, extra heads, and protuberances.”

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Author:Donald Hall
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“An op-ed in the Boston Globe, remarking on near-corpses who keep on doing what they've always done, compared me to Mick Jagger. Never before had I been so honored. The columnist mentioned others: Keith Richards, Alice Munro, and William Trevor, who was born the year I was. At seventy, Jagger is a juvenile among us eighty-five-year-olds—but his face as he jumps and gyrates resembles something retrieved from a bog.”

AgingOld AgeCelebritiesSeniorsSenior CitizensKeith RichardsMick JaggerAlice MunroWilliam Trevor
Book:Essays After Eighty
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“In 2013 there were 7,427 poetry readings in April, many on a Thursday. For anyone born in 1928 who pays attention to poetry, the numerousness is astonishing. In April 1948, there were 15 readings in the United States, 12 by Robert Frost. So I claim. The figures are imaginary, but you get the point.”

PoetryEssaysPoetry Life1940sRobert FrostDonald HallPoetry ReadingsPoetry EssaysPoetry FactsPopularity Of Poetry
Book:Essays After Eighty
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“After a life of loving the old, by natural law I turned old myself. Decades followed each other--thirty was terrifying, forty I never noticed because I was drunk, fifty was best with a total change of life, sixty began to extend the bliss of fifty--and then came my cancers, Jane’s death, and over the years I traveled to another universe. However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life. They have green skin, with two heads that sprout antennae. They can be pleasant, they can be annoying—in the supermarket, these old ladies won’t get out of my way—but most important they are permanently other. When we turn eighty, we understand that we are extraterrestrial. If we forget for a moment that we are old, we are reminded when we try to stand up, or when we encounter someone young, who appears to observe green skin, extra heads, and protuberances.”

AgingOld AgeGrowing OldDifferenceOthersOtherOtheringSeniorsSenior Citizens
Book:Essays After Eighty
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“Kate never had any money, but she loved to save it. When she was ninety-three her youngest daughter took her to a dollar store where she found an elevated tray filled with tiny aluminum percolators, one-cuppers. The frank and ethical enterprise attached a notice informing its customers that these percolators did not work. They were only 5 cents, so Kate bought two of them anyway.”

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Book:A Carnival Of Losses: Notes Nearing Ninety
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“My problem isn’t death but old age. I fret about my lack of balance, my buckling knee, my difficulty standing up and sitting down. Yesterday I fell asleep in an armchair. I never fall asleep in a chair. Indolence overcomes me every day. I sit daydreaming about what I might do next: putting on a sweater or eating a piece of pie or calling my daughter. Sometimes I break through my daydream to stand up. At Christmas or birthday, I no longer want objects, even books. I want things I can eat, cheddar or Stilton, my daughter’s chili, and replacements for worn-out khakis, T-shirts, socks, and underwear.”

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Book:Essays After Eighty
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“As I work over clauses and commas, I understand that rhythm and cadence have little connection to import, but they should carry the reader on a pleasurable journey. Sentences can be long, three or more complete clauses dancing together, or two clauses with one leaning on the other, or an added phrase of only a few syllables. Sentences and paragraphs are as various as human beings.”

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Book:Essays After Eighty
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“At sixteen, poets think that if they publish in a magazine that will be it. When it happens, it is not it. Then they think it will be it when they publish in Poetry. No. The New Yorker? No. A book? Good reviews? The Something Prize? A Guggenheim? The National Book Award? The Nobel? No, no, no, no, no, no. Flying back from Stockholm, the Laureate knows that nothing will make it certain. The Laureate sighs.”

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Book:Essays After Eighty
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“The people I love will mourn me, but I won't be around to commiserate. I become gloomy thinking of insensate things I will leave behind. My survivors will cram into plastic bags the tchotchkes I have lived with, expanding a landfill. I needn’t worry about my Andy Warhols. I fret over the striped stone that my daughter picked up at the pond, or my father’s desk lamp from college, or a miniature wooden milk wagon from the family dairy. My mother approaching ninety feared that we would junk the Hummel figurines that decorated her mantelpiece, kitsch porcelain dolls popular from the forties to the sixties. Thus, a box of them rests in my daughter’s attic. More important to me is this house, which my great-grandfather moved to in 1865—the family place for almost a century and a half. In the back chamber the generations stored everything broken or useless, because no one knew when they might come in handy. My kids and grandkids don’t want to live in rural isolation—why should they?—but it’s melancholy to think of the house emptied out. Better it should burn down.”

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Book:Essays After Eighty
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“Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.”

WritingLittlesFactsHandsLightTogetherSoundVoiceStyleFrontsTheoryRaisesBonesSentencesCarrieGrainFurBack TogetherFirmnessCombsTogether AgainBack Together Again
Book:Breakfast Served Any Time All Day: Essays on Poetry New and Selected
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“For a hundred and fifty years, in the pasture of dead horses, roots of pine trees pushed through the pale curves of your ribs, yellow blossoms flourished above you in autumn, and in winter frost heaved your bones in the ground--old toilers, soil makers: O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.”

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Book:Old and New Poems: Donald Hall
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“You know how, when you fly from coast to coast on a really clear day, looking down from many miles up, you can see the little baseball diamonds everywhere? And every time I see a baseball diamond my heart goes out to it. And I think somewhere down there- I don't see any houses, I can hardly see any roads- but I know that people down there are playing the game we all love.”

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Author:Donald Hall
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