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Fernando Pessoa

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Famous Fernando Pessoa Quotes

“And then there are one's friends, good fellows, good fellows, great to be with them and talk, to have lunch together, dinner together, but all of it, I don't know, so sordid and pathetic and trivial, because even on the street we remain in the fabric warehouse, even overseas we're still seated before the Cashbook, and even in infinity we still have our boss. Everyone has an office manager with a joke that's out of place, and everyone has a soul that falls outside the normal universe.”

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Book:The Book of Disquiet
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“If one day I become financially secure, so that I can freely write and publish, I know I'll miss this precarious life in which I hardly write and don't publish at all. I'll miss it not only because it will be a life, however mediocre, that I'll never have again, but also because every sort of life has a special quality and particular pleasure, and when we take up another life, even a better one, that particular pleasure isn't as good, that special quality is less special, until they fade away, and there's something missing.”

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Book:The Book of Disquiet
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“A tree's shade is worth more than the knowledge of truth, my sons, for a tree's shade is true while it lasts, and the knowledge of truth is false in its very truth. The leaves' greenness is worth more, for a right understanding, than a great thought, for the leaves, greenness is something you can show others, but you can never show them a great thought. We are born without knowing how to talk and we die without having known how to express ourselves. Our life runs its course between the silence of one who cannot speak and the silence of one who wasn't understood, and around it hovers — like a bee where there are no flowers — a useless, inscrutable destiny.”

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Book:The Education of the Stoic: The Only Manuscript of the Baron of Teive
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“Still others, busy on the outside of the soul, devoted themselves to the cult of noise and confusion, thinking they were living whenever they heard themselves, and supposing they loved whenever they brushed love's outward forms. Living was painful because we knew we were alive; dying didn't scare us, for we had lost the normal notion of what death is.”

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Book:The Book of Disquiet
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“We are all mortal, with a given duration--never longer or shorter. Some die as soon as they die, while others live on for a time in the memory of those who knew and loved them; others survive in the memory of the nation that bore them; still others enter into the memory of the civilization they were part of; and some very few are able to span the contrary tendencies of differing civilizations. But all of us are surrounded by the abyss of time, in which we will ultimately vanish; the hunger of the abyss will swallow us all..... Durability is just a wish, and eternity an illusion.”

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Book:The Book of Disquiet
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“I arrive at my desk as a bulwark against life. I have a tender spot -- tender to the point of tears -- for my ledgers in which I keep other people's accounts, for the old inkstand I use, for the hunched back of Sérgio, who draws up invoices a little beyond where I sit. I love all this, perhaps because I have nothing else to love, and perhaps also because nothing is worth a human soul's love, and so it's all the same -- should we feel the urge to give it -- whether the recipient be the diminutive form of my inkstand or the vast indifference of the stars.”

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Book:The Book of Disquiet
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“To be a pessimist is to see everything tragically, an attitude that's both excessive and uncomfortable. While it's true that we ascribe no value to the work we produce and that we produce it to keep busy, we're not like the prisoner who busily weaves straw to forget about his fate; we're like the girl who embroiders pillows for no other reason than to keep busy.”

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Book:The Book of Disquiet: The Complete Edition
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“Everything is as vain as stirring up cold ashes, as vague as the moment just before dawn. And the light falls so serenely and perfectly on things, gilds them with such a sad, smiling reality. The whole mystery of the world appears before my eyes carved out of this banality, this street. Ah, how mysteriously the everyday things of life brush by us! On the surface, touched by light, of this complex human life, Time, like a hesitant smile, blooms on the lips of the Mystery! How modern all this sounds, yet deep down it is so ancient, so hidden, so different from the meaning that shines out from all of this!”

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Book:The Book of Disquiet
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“Life is an experimental journey that we make involuntarily. It is a journey of the mind through matter, and since it is the mind that journeys, that is where we live. And so there are contemplative souls who have lived more intensely, more widely and more turbulently than those who live externally. The end result is what counts. What was felt is what was lived. A dream can tire us out as much as physical labour. We never live as hard as when we've thought a great deal.”

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Book:The Book of Disquiet
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“The twilights of ancient cities, with lost traditions inscribed in the black stones of their massive buildings; tremulous dawns over inundated fields, swampy and damp like the air before the sun comes out; the narrow lanes where anything could happen; the heavy chests in age-old sitting rooms; the well behind the farmhouse on a moonlit night; the letter dating from when our grandmother whom we never met was first in love; the mildew in the rooms where the past is stored; the rifle no one knows how to use any more; the fever of hot afternoons next to the window; not a soul on the road; fitful slumber; the blight in the vineyards; church bells; the cloistral grief of living…”

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Book:The Book of Disquiet
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“Yes it’s me, I myself, what I turned out to be, (…) I’m the one here in myself, it’s me. (…) Whatever I was, whatever I wasn’t—it’s all in what I am. Whatever I wanted, whatever I didn’t want—all of this has shaped me. Whatever I loved, or stopped loving—in me it’s the same nostalgia (Álvaro de Campos)”

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Book:A Little Larger Than the Entire Universe: Selected Poems
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“Everything is as utterly vain as stirring up cold ashes, as insubstantial as the moment just before dawn. And the light shines serenely and perfectly forth from things, gilds them with a smiling, sad reality. The whole mystery of the world appears before my eyes sculpted from this banality, this street. Ah, how mysteriously the everyday things of life brush by us! On the surface, touched by light, of this complex human life, Time, a hesitant smile, blooms on the lips of the Mystery! How modern all this sounds, yet deep down it is so ancient, so hidden, so different from the meaning that shines out from all of this.”

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Book:The Book of Disquiet
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“Pasmo sempre quando acabo qualquer coisa. Pasmo e desolo-me. O meu instinto de perfeição deveria inibir-me de acabar; deveria inibir-me até de dar começo. Mas distraio-me e faço. O que consigo é um produto, em mim, não de uma aplicação de vontade, mas de uma cedência dela. Começo porque não tenho força para pensar; acabo porque não tenho alma para suspender. Este livro é a minha cobardia.”

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Book:The Book of Disquiet
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“I'll be living quietly in a house somewhere in the suburbs, enjoying a peaceful existence not writing the book I'm not writing now and, so as to continue not doing so, I will come up with different excuses from the ones I use now to avoid actually confronting myself. Or else I'll be interned in a poorhouse, content with my utter failure, mingling with the riffraff who believed they were geniuses when in fact they were just beggars with dreams, mixing with the anonymous mass of people who had neither the strength to triumph nor the power to turn their defeats into victories.”

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Author:Fernando Pessoa
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“Walking down a street I see, in those who pass by me, not the facial expressions that they really have but the expressions that they would have if they knew what I'm like and the kind of life I lead, if my face and my gestures betrayed the shy and ridiculous abnormality of my soul. In eyes that don't even look at me I suspect there are smirks (which I consider only natural) directed at the awkward exception I embody in a world of people who know how to act and to enjoy life; and the passing physiognomies, informed by an awareness that I myself have interposed and superimposed, seem to snicker out loud at my life's timid gesticulations.”

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Book:The Book of Disquiet
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“For me life is an inn where I must stay until the carriage from the abyss calls to collect me [...] I could consider this inn to be a prison, since I’m compelled to stay here; I could consider it a kind of club, because I meet other people here. However, unlike others, I am neither impatient nor sociable. I leave those who chatter in the living room, from where the cosy sound of music and voices reaches me. I sit at the door and fill my eyes and ears with the colours and sounds of the landscape and slowly, just for myself, I sing vague songs that I compose while I wait. Night will fall on all of us and the carriage will arrive. I enjoy the breeze given to me and the soul given to me to enjoy it and I ask no more questions, look no further. If what I leave written in the visitors’ book is one day read by others and entertains them on their journey, that’s fine. If no one reads it or is entertained by it, that’s fine too.”

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Book:The Book of Disquiet
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“I’m riding a tram and, as is my habit, slowly absorbing every detail of the people around me. By ‘detail’ I mean things, voices, words. In the dress of the girl directly in front of me, for example, I see the material it’s made of, the work involved in making it – since it’s a dress and not just material – and I see in the delicate embroidery around the neck the silk thread with which it was embroidered and all the work that went into that. And immediately, as if in a primer on political economy, I see before me the factories and all the different jobs: the factory where the material was made; the factory that made the darker coloured thread that ornaments with curlicues the neck of the dress’ and I see the different workshops in the factories, the machines, the workmen, the seamstresses. My eyes’ inward gaze even penetrates into the offices, where I see the managers trying to keep calm and the figures set out in the account books, but that’s not all: beyond that I see into the domestic lives of all those who spend their working hours in these factories and offices...A whole world unfolds before my eyes all because the regularly irregular dark green edging to a pale green dress worn by the girl in front of me of whom I see only her brown neck. ‘A whole way of life lies before me. I sense the loves, the secrets, the souls of all those who worked just so that this woman in front of me on the tram should wear around her mortal neck the sinuous banality of a thread of dark green silk on a background of light green cloth. I grow dizzy. The seats on the tram, of fine, strong cane, carry me to distant regions, divide into industries, workmen, houses, lives, realities, everything. I leave the tram exhausted, like a sleepwalker, having lived a whole life.”

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Book:The Book of Disquiet
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“Sit still with me in the shade of these green trees, which have no weightier thought than the withering of their leaves when autumn arrives, or the stretching of their many stiff fingers into the cold sky of the passing winter. Sit still with me and meditate on how useless effort is, how alien the will, and on how our very meditation is no more useful than effort, and no more our own than the will. Meditate too on how a life that wants nothing can have no weight in the flux of things, but a life the wants everything can likewise have no weight in the flux of things, since it cannot obtain everything, and to obtain less than everything is not worthy of souls that seek the truth.”

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Book:The Education of the Stoic: The Only Manuscript of the Baron of Teive
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“Today, at different times, I ran into two friends who'd had a fight. Each one told me his version of why they'd fought. Each one told me the truth. Each one gave me his reasons. They were both right. They were both absolutely right. It's not that one of them saw it one way and the other another way, or that one saw one side of what happened and the other a different side. No: each one saw things exactly as they'd happened, each one saw them according to the same criterion, but each one saw something different, and so each one was right. I was baffled by this dual existence of truth.”

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Book:The Book of Disquiet
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“Seeing myself from the outside (as I almost always do), I'm unfit for action, flustered when I have to take a step or make a move, tongue-tied when I have to talk to someone, lacking the inner lucidity needed to enjoy things that require mental effort, and without the physical stamina to entertain myself through some merely mechanical labour. It's only natural that I'm this way. A dreamer is expected to be this way. All reality disconcerts me.”

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Book:The Book of Disquiet
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