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Fernando Pessoa

Fernando Pessoa Books

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Os Portugueses

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Selected poems

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Cuentos

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Mensagem

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Numbers: 4

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Ultimatum

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Related Quotes

“And then there are one's friends, good fellows, good fellows, great to be with them and talk, to have lunch together, dinner together, but all of it, I don't know, so sordid and pathetic and trivial, because even on the street we remain in the fabric warehouse, even overseas we're still seated before the Cashbook, and even in infinity we still have our boss. Everyone has an office manager with a joke that's out of place, and everyone has a soul that falls outside the normal universe.”

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Book:The Book of Disquiet
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“If one day I become financially secure, so that I can freely write and publish, I know I'll miss this precarious life in which I hardly write and don't publish at all. I'll miss it not only because it will be a life, however mediocre, that I'll never have again, but also because every sort of life has a special quality and particular pleasure, and when we take up another life, even a better one, that particular pleasure isn't as good, that special quality is less special, until they fade away, and there's something missing.”

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Book:The Book of Disquiet
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“Sitting at the tables of cafés in the cities I visited, I found myself thinking that everything tasted to me of dreams, of emptiness. I sometimes found myself wondering if I was still sitting at the table of out old house, motionless and dazzled by dreams! I cannot promise you that this is not what is happening, that I am not still there now, that all this, including this conversation with you, is false and imaginary. Who are you, by the way? The absurd thing is that you don’t know either...”

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Book:The Book of Disquiet: The Complete Edition
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“A tree's shade is worth more than the knowledge of truth, my sons, for a tree's shade is true while it lasts, and the knowledge of truth is false in its very truth. The leaves' greenness is worth more, for a right understanding, than a great thought, for the leaves, greenness is something you can show others, but you can never show them a great thought. We are born without knowing how to talk and we die without having known how to express ourselves. Our life runs its course between the silence of one who cannot speak and the silence of one who wasn't understood, and around it hovers — like a bee where there are no flowers — a useless, inscrutable destiny.”

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Book:The Education of the Stoic: The Only Manuscript of the Baron of Teive
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“Still others, busy on the outside of the soul, devoted themselves to the cult of noise and confusion, thinking they were living whenever they heard themselves, and supposing they loved whenever they brushed love's outward forms. Living was painful because we knew we were alive; dying didn't scare us, for we had lost the normal notion of what death is.”

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Book:The Book of Disquiet
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“We are all mortal, with a given duration--never longer or shorter. Some die as soon as they die, while others live on for a time in the memory of those who knew and loved them; others survive in the memory of the nation that bore them; still others enter into the memory of the civilization they were part of; and some very few are able to span the contrary tendencies of differing civilizations. But all of us are surrounded by the abyss of time, in which we will ultimately vanish; the hunger of the abyss will swallow us all..... Durability is just a wish, and eternity an illusion.”

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Book:The Book of Disquiet
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“And with a relentlessness that comes from the world's depths, with a persistence that strikes the keys metaphysically, the scales of a piano student keep playing over and over, up and down the physical backbone of my memory. It's the old streets with other people, the same streets that today are different; it's dead people speaking to me through the transparency of their absence; it's remorse for what I did or didn't do; it's the rippling of streams in the night, noises from below in the quiet building. I feel like screaming inside my head. I want to stop, to break, to smash this impossible phonograph record that keeps playing inside me, where it doesn't belong, an intangible torturer. I want my soul, a vehicle taken over by others, to let me off and go on without me. I'm going crazy from having to hear. And in the end it is I – in my odiously impressionable brain, in my thin skin, in my hypersensitive nerves – who am the keys played in scales, O horrible and personal piano of our memory.”

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Book:The Book of Disquiet
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“And leaning on the windowsill to enjoy the day, gazing at the variegated mass of the whole city, just one thought fills my soul: that I profoundly wish to die, to cease, to see no more light shining on this city or any city, to think no more, to feel no more, to leave behind the march of time and the sun like a piece of wrapping paper, to remove like a heavy suit – next to the big bed – the involuntary effort of being.”

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“I have a very simple morality: not to do good or evil to anyone. Not to do evil, because it seems only fair that others enjoy the same right I demand for myself – not to be disturbed – and also because I think that the world doesn’t need more than the natural evils it already has. All of us in this world are living on board a ship that is sailing from one unknown port to another, and we should treat each other with a traveller’s cordiality. Not to do good, because I don’t know what good is, nor even if I do it when I think I do. How do I know what evils I generate if I give a beggar money? How do I know what evils I produce if I teach or instruct? Not knowing, I refrain. And besides, I think that to help or clarify is, in a certain way, to commit the evil of interfering in the lives of others. Kindness depends on a whim of our mood, and we have no right to make others the victims of our whims, however humane or kind-hearted they may be. Good deeds are impositions; that’s why I categorically abhor them.”

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Book:The Book of Disquiet
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“I am no pessimist. Happy are those who can make of their suffering something universal. I don’t know if the world is sad or bad, nor do I care, because I feel bored and indifferent in the face of other people’s suffering. As long as they don’t cry or moan — which I find irritating and embarrassing —I greet their suffering with a shrug of the shoulders, so deep is my disdain for them.”

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Book:The Book of Disquiet: The Complete Edition
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“Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror.”

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Book:The Book of Disquiet
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“I arrive at my desk as a bulwark against life. I have a tender spot -- tender to the point of tears -- for my ledgers in which I keep other people's accounts, for the old inkstand I use, for the hunched back of Sérgio, who draws up invoices a little beyond where I sit. I love all this, perhaps because I have nothing else to love, and perhaps also because nothing is worth a human soul's love, and so it's all the same -- should we feel the urge to give it -- whether the recipient be the diminutive form of my inkstand or the vast indifference of the stars.”

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Book:The Book of Disquiet
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“To be a pessimist is to see everything tragically, an attitude that's both excessive and uncomfortable. While it's true that we ascribe no value to the work we produce and that we produce it to keep busy, we're not like the prisoner who busily weaves straw to forget about his fate; we're like the girl who embroiders pillows for no other reason than to keep busy.”

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Book:The Book of Disquiet: The Complete Edition
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“...And suddenly, from behind me, I hear the metaphysically abrupt arrival of the office boy. I feel like I could kill him for barging in on what I wasn't thinking. I turn around and look at him with a silence full of hatred, tense with latent homicide, my mind already hearing the voice he'll use to tell me something or other. He smiles from the other side of the room and says 'Good afternoon' in a loud voice. I hate him like the universe. My eyes are sore from imagining.”

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Book:The Book of Disquiet
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“To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself. This isn't the case with literature. Literature simulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse.”

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Book:The Book of Disquiet
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“One of the soul's great tragedies is to execute a work and then realize, once it's finished, that it's not any good. The tragedy is especially great when one realizes that the work is the best he could have done. But to write a work, knowing beforehand that it's bound to be flawed and imperfect; to see while writing it that it's flawed and imperfect--this is the height of spiritual torture and humiliation.”

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Book:The Book of Disquiet
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“Everything is as vain as stirring up cold ashes, as vague as the moment just before dawn. And the light falls so serenely and perfectly on things, gilds them with such a sad, smiling reality. The whole mystery of the world appears before my eyes carved out of this banality, this street. Ah, how mysteriously the everyday things of life brush by us! On the surface, touched by light, of this complex human life, Time, like a hesitant smile, blooms on the lips of the Mystery! How modern all this sounds, yet deep down it is so ancient, so hidden, so different from the meaning that shines out from all of this!”

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