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“She isn't traumatized, she isn't weighed down by any obvious grief. She's just sad, all the time. An evil little creature that wouldn't have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn't good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can't silence the voices no one else can hear, when you've never been in a room where you felt normal. In the end you get exhausted from always tensing the skin around your ribs, never letting your shoulders sink, brushing along walls all your life with white knuckles, always afraid that someone will notice you, because no one's supposed to do that. All Nadia knew was that she had never felt like someone who had anything in common with anyone else. She had always been entirely alone in every emotion. She sat in a classroom full of her contemporaries, looking like everything was the same as usual, but inside she was standing in a forest screaming until her heart burst. The trees grew until one day the sunlight could no longer break through the foliage, and the darkness in here became impenetrable.”

“It’s never your fault, is it? When are you going to admit that it isn’t ‘hockey’ that raises these boys, it’s YOU LOT? In every time and every place, I’ve come across men who blame their own stupidity on crap they themselves have invented. ‘Religion causes wars,’ ‘guns kill people,’ it’s all the same old bullshit! […] YOU’RE the problem! Religion doesn’t fight, guns don’t kill, and you need to be very fucking clear that hockey has never raped anyone! But do you know who do? Fight and kill and rape?” Sune clears his throat. “Men?” “MEN! It’s always fucking men!”

“Ove and Sonja are not perfect, but they are a harmonious couple. According to others, Ove and his wife together are like night and day. It is evident that Ove is night. This comparison does not irritate him. Ove is always a sad and unsociable person. However, his wife always amuses herself. Sonja affirms that Ove is night, because he is too stingy to burn the sun. Ove wonders why Sonja wants to be with him. She likes all sorts of abstract things – music, books and all kinds of wonderful words. Ove is a man of action. He likes screwdrivers and oil filters. Despite their dissimilitude and different perception of life, this couple love and support each other, because there is esteem between them.”

“People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will “lessen as time passes,” but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.”

“People sometimes say that sorrow is mental but longing is physical. One is a wound, the other an amputated limb, a withered petal compared to a snapped stem. Anything that grows closely enough to what it loves will eventually share the same roots. We can talk about loss, we can treat it and give it time, but biology still forces us to live according to certain rules: plants that are split down the middle don't heal, they die.”

“In a few weeks her partner will find the box containing the crib in the storeroom, the one she kept nagging at him to put together, and he'll sob so hard that it feels like his ribs will break. For the rest of their lives they will always walk past the display windows of the sports shop and think that there's one bicycle too many in there. A pair of skates too many. A hundred thousand adventures and trees to climb and puddles to jump in too many. A million uneaten ice creams. They will never be woken too early on holiday mornings, never whisper-shout "Quiet!" when they're talking on the phone, never put small gloves on the radiator. The greatest fear, the tiniest human being, will never be theirs.”

“He still has the same nightmares, ten years on. After Police College, exams, shift after shift, late nights, all his work at the station that's garnered so much praise from everyone but his dad, even more late nights, so much work that he's come to hate not working, unsteady walks home at dawn to the piles of bills in the hall and an empty bed, sleeping pills, alcohol. On nights when everything has been completely unbearable he's gone out running, mile after mile through darkness and cold and silence, his feet drumming against the pavement faster and faster, but never with the intention of getting anywhere, of accomplishing anything. Some men run like hunters, but he ran like their prey. Drained with exhaustion he would finally stagger home, then head off to work and start all over again. Sometimes a few whiskies were enough to get him to sleep, and on good mornings ice-cold showers were enough to wake him up, and in between he did whatever he could to take the edge off the hypersensitivity of his skin, stifle the tears when he felt them in his chest, long before they reached his throat and eyes. But all the while: still those same nightmares.”

“And in an apartment on the other side of town, everyone wakes up with a start when the hound in the first-floor flat, without any warning, starts howling. Louder and more heartrendingly than anything they have ever heard coming out of the primal depths of any animal. As if it is singing with the sorrow and yearning of an eternity of ten thousand fairy tales. It howls for hours, all through the night, until dawn. And when the morning light seeps into the hospital room, Elsa wakes up in Granny's arms. But Granny is still in Miamas.”

“Of course that was just one of her many strange little habits and quirks: she put onion flakes on breakfast cereal and poured bearnaise sauce on popcorn, and if you yawned when she was next to you, she would lean forward and stick a finger in your mouth, just to see if she could pull it out again before you closed your mouth. Sometimes she put cornflakes in Jim's shoes, sometimes little bits of boiled egg and anchovies in Jack's pockets, and the looks on their face when they realized seemed to amuse her more and more each time she did it. That's the kind of thing you miss. That she used to do this, that she used to do that. She *was,* she *is.*”

“Not the way you long for the future, for the summer, or for a holiday, but the way you long to get back to yourself. To how it was 'in our day,' even though that time never really existed except in our filtered memories. You long to be the person you think you were, during some sort of youth when you tell yourself that life was uncomplicated, or the man you imagine you could have been if only you had the chance to do everything again. Not longing for that is difficult for most people, and for some it is all but impossible.”

“There’s an immensity of love that bursts from your chest the first time you hear your child cry, every emotion you’ve ever felt is amplified to the point of absurdity, children open floodgates inside us, upward as well as down. You’ve never felt so happy, and never felt so scared. Don’t say “don’t worry” to someone in that position. You can’t love someone like this without worrying about everything, forever.”

“In his youth Jim had dreams of becoming a writer. In fact he was still dreaming about that until long into Jack’s childhood. Then he started to dream that Jack might become a writer instead. That’s an impossible thing for sons to grasp, and a source of shame for fathers to have to admit: that we don’t want our children to pursue their own dreams or walk in our footsteps. We want to walk in their footsteps while they pursue our dreams.”

“Perhaps you, too, have children, in which case you'll know that you're frightened the whole time, frightened of not knowing everything and of not having the energy to do everything and of not coping with everything. In the end we actually get so used to the feeling of failure that every time we *don't* disappoint our children it leaves us feeling secretly shocked. It's possible that some children realize this. So every so often they do tiny, tiny things at the most peculiar times, to buoy us up a little. Just enough to stop us from drowning.”

“When Peter and Kira had their first child, Isak, Kira said to him, "This is what we are now. Everything else comes after this. First and foremost, we are parents!" Peter already knew that, of course. All parents know. It's not a voluntary process, it's an emotional assault; you become someone else's property the first time you hear your child cry. You belong to that little person now. Before everything else. So when something happens to your child, it never stops being your fault.”