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Gabrielle Zevin

Gabrielle Zevin Books

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Elsewhere

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Love Is Hell

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Margarettown

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“You know what I keep thinking? I keep thinking how easy it was to make that first Ichigo. We were like machines then—this, this, this, this. It’s so easy to make a hit when you’re young and you don’t know anything.” “I think that, too,” Sadie said. “The knowledge and experience we have—it isn’t necessarily that helpful, in a way.” “So depressing,” Sam said, laughing. “What’s all of this struggle been for?” “There must be some other versions of us that don’t make games.” “What do they do instead?” “They’re friends. They have a life!” Sadie said.”

LifeGamesFriends
Book:Tomorrow, and Tomorrow, and Tomorrow
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“Sadie didn't know why she bothered. You would think women would want to stick together when there weren't that many of them, but they never did. It was as if being a woman was a disease that you didn't want to catch. As long as you didn't associate with the other women you could imply to the majority, the men: I'm not like those other ones. - Sadie Green”

WomenRelationshipsAdulting
Book:Tomorrow, and Tomorrow, and Tomorrow
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“Why do you think we never got together?” Sadie sat next to Sam on the bed. “Sammy,” she said. “We were together. You must know that. When I’m honest with myself, the most important parts of me were yours.” “But together together? The way you were with Marx or Dov.” “How can you not know this? Lovers are…common.” She studied Sam’s face. “Because I loved working with you better than I liked the idea of making love to you. Because true collaborators in this life are rare.”

LoveWorkCollaboration
Book:Tomorrow, and Tomorrow, and Tomorrow
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“The alternative to appropriation is a world in which artists only reference their own cultures." "That's an oversimplification of the issue." "The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”

ArtCreativeCreative ProcessAppropriationCultural Appropriation
Book:Tomorrow, and Tomorrow, and Tomorrow
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“You forget all of it anyway. First, you forget everything you learned-the dates of the Hay-Herran Treaty and Pythagorean Theorem. You especially forget everything you didn't really learn, but just memorized the night before. You forget the names of all but one or two of your teachers, and eventually you'll forget those, too. You forget your junior class schedule and where you used to sit and your best friend's home phone number and the lyrics to that song you must have played a million times. For me, it was something by Simon & Garfunkel. Who knows what it will be for you? And eventually, but slowly, oh so slowly, you forget your humiliations-even the ones that seemed indelible just fade away. You forget who was cool and who was not, who was pretty, smart, athletic, and not. Who went to a good college. Who threw the best parties Who could get you pot. You forget all of them. Even the ones you said you loved, and even the ones you actually did. They're the last to go. And then once you've forgotten enough, you love someone else.”

LoveLifeForget
Book:Memoirs of a Teenage Amnesiac
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“She had once read in a book about consciousness that over the years, the human brain makes an AI version of your loved ones. The brain collects data, and within your brain, you host a virtual version of that person. Upon the person's death, your brain still believes the virtual person exists, because, in a sense, the person still does. After a while, through, the memory fades, and each year, you are left with an increasingly diminished version of the AI you had made when the person was alive.”

LifeLife QuotesGriefAcceptanceLivingMoving On
Book:Tomorrow, and Tomorrow, and Tomorrow
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“Sam used to say that Marx was the most fortunate person he had ever met-he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought that Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know-were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love.”

InspirationalFictionPositive
Book:Tomorrow, and Tomorrow, and Tomorrow
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“What you have with Sadie is nothing like what I have with Sadie, so it doesn't even matter. You can fuck anyone," he says. "You can't make games with anyone, though." "I make games with both of you," you point out. "I named Ichigo, for God's sake. I have been with both of you every step of the way. You can't say I haven't been here." "You've been here, sure. But you're fundamentally unimportant. If you weren't here, it would be someone else. You're a tamer of horses. You're an NPC, Marx." An NPC is a character that is not playable by a gamer. It is an AI extra that gives a programmed world verisimilitude. The NPC can be a best friend, a talking computer, a child, a parent, a lover, a robot, a gruff platoon leader, or the villain. Sam, however, means this as an insult---in addition to calling you unimportant, he's saying you're boring and predictable. But the fact is, there is no game without the NPCs. "There's no game without the NPCs," you tell him. "There's just some bullshit hero, wandering around with no one to talk to and nothing to do.”

JealousyInsultLove TriangleThrowing ShadeNpc
Book:Tomorrow, and Tomorrow, and Tomorrow
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“You are a gaming person, which is to say you are the kind of person who believes that "game over" is a construction. The game is only over if you stop playing. There is always one more life. Even the most brutal death isn't final. You could have taken poison, fallen into a vat of acid, been decapitated, been shot a hundred times, and still, if you clicked restart, you could begin it all over again. Next time, you would get it right. Next time, you might even win.”

DeathLife QuotesGriefAcceptance
Book:Tomorrow, and Tomorrow, and Tomorrow
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