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“Some young man has wronged you, hasn't he?' From a person who renounced on principle the possibility of transcendental morality, she thought, it was an interesting choice of words. 'None of them's stuck around long enough to wrong me, Bruno.' He waved a hand dismissively. 'Romance is a fiction anyway. A myth to sell greeting cards.' Still, he seemed ready, given a name and address, to go challenge the malefactor, like some feudal-era father defending his daughter's chastity. This was all in the eyes, of course. The rest of the face stayed perfectly composed.”

“The cushions of my friend's couch were some kind of rubberized velour, the windows were uncurtained, and at five a.m. the birds were all atwitter and the light, the L.A. light everyone goes on and on about, was right in my East Coast eyes. Give me New York any day, I thought. But when New York came, it was with fangs and claws, in a nightmare I now woke from screaming.”

“I don't have anything against therapy, by the way; it's great for other people. It's just that, personally, I see the enterprise as proceeding from the same premises that cause the problems it seeks to treat. For you guys, what I am, fundamentally, is a closed system, a container of ego and id and biological imperatives. That I'm not may be a fiction, but if I can't imagine a reference point larger than myself, morally speaking, then what's the use?”

“I keep having this fantasy about some wide river or channel I'm on the bank of. I can look up, and on the far side is another, better self, holding hands with Mercer—that's his name, my ex—and both of them are watching me flail over here, watching me from the life I'm supposed to have had. When did it become impossible to get there from here? When did that bridge get burned?”