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“Whatever he touched burst into bloom, scattering the snow with leaves like beaten emeralds, red berries, pussy willows and seed cones, a riot of color and texture crackling through that white world. Soon enough our little wilderness path could have been a grand avenue decked out for a returning general's triumphant procession. Birds hunkered down for the long winter crept out of their burrows, chirruping their alarmed delight as they grew drunk on berries. A narrow fox darted across our path, a starling clutched in its mouth, sparing us a dismissive glance as it slunk back into the velvet shadow.”

“Wendell looked at the faerie stone in his hand, shrugged, and smashed it against the floor. Out burst a flock of parrots. The birds shrieked and squawked, and the sheerie were momentarily distracted--- not afraid, they lunged at them like cats. Each parrot seemed to be carrying a tropical flower in its beak. Wendell hurled another stone. When it smashed, glittering banners unfurled upon the museum walls, covered in the faerie script. The ceiling was suddenly painted in frescoes of Folk lounging in forest pools, surrounded by green foliage. Vases of unfamiliar flowers appeared on every surface next to bottles of wine in ice buckets, and the air filled with the muffled sound of violins, as if drifting in from the next room.”

“Wendell's first inclination upon waking from the dead was, naturally, to throw a party. At this he failed, for a party was already unfolding. A troupe of musicians had established themselves on the lakeshore below the gardens, where there is a large pavilion; another was set up in the banquet hall, which, when Wendell and I arrived, we found already bursting with a chaotic array of food. There were oysters from the southern coast, whole roasted trout, a bubbling vat of caramel for dipping apples, and bread loaves positioned randomly about the room, as well as the queer blue sandwich cakes that were a court favorite--- the blue came from blueberry preserves and a sharp cheese, which were layered with a sweet cloudlike batter. From the look and smell of things, they should have been dreadful, but I had already acquired a taste for them.”

“We rode for perhaps an hour with the snow tapping at our cheeks before we came to a little gully where the mountainside folded itself around a grove of misshapen willows. Even if the changeling hadn't directed us there, I would have taken it for a faerie door of some sort; though there are many sorts of doors, they all have a similar quality which can best---and quite inadequately---be described as unusual. A round ring of mushrooms is the obvious example, but one must additionally be on the lookout for large, hoary trees that dwarf their neighbors; for twisted trunks and gaping hollows; for wildflowers out of sync with the forest's floral denizens; for patterns of things; for mounds and depressions and inexplicable clearings. Anything that does not fit.”

“Above us, the aurora was bleeding. I stood frozen. The long ribbons of white unfurled all the way to the ground, growing filmier as they went. The green and blue of the aurora was unaffected. It was as if something were drawing the silvery whiteness to earth, like fingers pulling paint down a canvas, to a place just beyond the curve of the mountain---less than a mile away.”

“Indeed, the door before us was nearly identical in shape and style--- it blended into the Greek countryside perfectly, its wooden boards painted with a scene of pale, pebbly stone and sun-dried vegetation. A little patch of rock roses to the left continued into the painting, and these two-dimensional blooms tossed their heads in the breeze in time with their tangible brethren. Even more impossible, to my mortal eyes, was the doorknob, a square of glass enclosing a splash of turquoise sea. This nexus is truly the most peculiar variety of faerie door I have encountered in my career.”

“As we went on, I could not help but noticing that the path Wendell made for us was a much cheerier one than Ariadne and I had followed; we traversed sunny glades and bluebell meadows, and sections of bilberry-studded moor open to the sky, often boasting impressive standing stones. Silver baubles sparkled in the treetops, about the size of globes and light as air, which sometimes drifted from one tree to another with the wind. Wendell informed me that these were, in fact, a kind of faerie stone, which contained enchantments meant to provide comfort to travelers.”

“It was a strange thing. I had been viewing the marriage question with such trepidation--- the ceremony, the spectacle, all that came after it, in the form of this strange and beautiful kingdom that would thence be half mine. And yet, as I sat there upon the lake amidst the tree-shadow and reflected light and the dragonflies tussling with the wind, I no longer knew why I had been so afraid. Likely it was also the threat of Queen Arna hanging over us like a guillotine--- well, the prospect of imminent death tends to put things into perspective. It was not that my worries vanished--- no magic could manage that. I only realized how much smaller they were than the world that lay before me. A world that I wanted, even after all I had seen, and amidst such a thicket of danger. I wanted it very much. And I especially wanted to share it with Wendell.”

“I followed his gaze to the lakeshore. A hundred tiny lights dotted the forest--- more than a hundred. A thousand? They kept appearing among the shadows, different in size and luminance depending on the lantern. I hadn't realized the forest was so full of Folk. And among the trees, the silver faerie stones began to glow. "All this for a mortal queen?" I muttered, flushed and overwhelmed. "Too much?" Wendell made a gesture, and the faerie stones dimmed, retaining only a faint luminescence. "That's as much as I can do. The small Folk will keep to their traditions--- they would be greatly offended if I ask them to put their lights out before morning." "Very well," I said. It was easier to bear without the faerie stones, which I've always found eerie, the way they hang untethered among the treetops like a strangely shaped mist. I know the curator of Cambridge's Museum of Dryadology and Ethnofolklore would give her eye teeth for just one of the things--- none have ever been smuggled into the mortal world, and their form and size makes them unique among faerie stones.”

“It is in part, I suppose, that the thought of marrying anyone makes me wish to retreat to the nearest library and hide myself among the stacks; marriage has always struck me as a pointless business, at best a distraction from my work and at worst a very large distraction from my work coupled with a lifetime of tedious social obligations”